Film
theartsdesk
Whether Lincoln can pip frontrunner Argo to this year's Best Picture gong is in the hands of the Academy, but its 12 nominations are a notable achievement in director Steven Spielberg's extraordinary career. It's sometimes been easy to dismiss Spielberg as a sentimentalist, an entertainer first and an artist second but his films are pure cinema, and for every work of groundbreaking spectacle he's delivered something equally as thought-provoking.Over the years Spielberg's films have secured a not-to-be-balked-at nine Best Picture nominations, and his sterling stewardship has been rewarded with Read more ...
Demetrios Matheou
An intriguing aspect of this year’s battle for Oscar was the early assurance with which pundits placed Lincoln as their favourite for best film. Steven Spielberg's frontrunner merits recognition; what surprises is that no one has noted the significance if it were actually to win. For despite Hollywood’s long history of fine political films, in over 80 years only one has ever won the prize.That exception was All The King’s Men, in 1950. Based on a Pulitzer Prize-winning novel, Robert Rossen’s drama chronicled the rise and fall of Willie Stark, a once idealistic Southern lawyer turned Read more ...
Tom Birchenough
Brilliantly played by Saskia Rosendahl, the eponymous teenage heroine of Lore (full name, Hannelore) faces a demanding double journey: both the physical slog through end-of-war Germany, a country fallen into chaos, and the more complicated process of acknowledging, like the nation itself, past Nazi complicity. On the cusp of adolescence, she's forced into adult responsibility for her younger siblings, just as her inner world of sexual feeling is awakening - everything pushes her towards maturity, and she must cope or perish.Australian director Cate Shortland’s second feature combines a Read more ...
Adam Sweeting
Jacques Audiard's follow-up to A Prophet (2009) is an off-centre but haunting piece derived from short stories by Canadian writer Craig Davidson. Marion Cotillard is Stéphanie, whom we first meet outside a nightclub on the Côte d'Azur where she has been involved in a drunken fracas. She's rescued by Ali (Belgium's Matthias Schoenaerts, from Bullhead), a bouncer, ex-kickboxer and petty criminal who's come to the coast with his young son Sam in search of some sort of existential last chance. He tells her she looks like a whore. She thinks he's a lunkheaded schmuck.It's unexpected Read more ...
Nick Hasted
A week from now he could be the all-time Oscar king. If Daniel Day-Lewis’s performance in Lincoln wins him a third Best Actor award, it will send him clear of a thoroughbred field of nine past double-winners, Jack Nicholson, Spencer Tracy and Dustin Hoffman among them. Those other nine were all American. Uniquely for an Englishman, Day-Lewis isn’t politely respected in Hollywood for his theatrical technique, but matches the screen intensity and exhaustive Method of Brando and De Niro. Ever since his first Oscar as the cerebral palsy-afflicted Irish writer Christy Brown in My Left Foot (1989 Read more ...
Jasper Rees
Are films for the senior demographic the new rock’n’roll? As the population ages and people keep their marbles for longer, entertainments for the grey pound, as it’s charmingly called, must be laid on. The job of films like The Last Exotic Marigold Hotel, Quartet and now Song for Marion is to tend towards the cheerful and the redemptive. Age is a bugger, they all accept, but it ain’t over till the fat lady sings – or in the case of Song for Marion, till Vanessa Redgrave and Terence Stamp have given their leathery larynxes a public work-out.In this case old age really is flirting with age- Read more ...
james.woodall
The 2013 Golden Bear in Berlin has gone to Poziţia Copilului (Child's Pose), by Romanian director Călin Peter Netzer. Starring Luminita Gheorghiu as a mother, Cornelia, drumming up support for her son Barbu, arraigned for killing a little boy in a speeding offence, the Berlinale winner is a much-favoured mix of - in this festival - a film combining steely contemporaneity and political fearlessness. Its documentary-like texture and compelling theme, along with Gheorghiu's hugely imposing performance, make it a popular winner.A Silver Bear goes (as happily predicted by theartsdesk) to Paulina Read more ...
Graham Fuller
The great German-born director Max Ophüls admired Goethe, Stendhal, Arthur Schnitzler and Stefan Zweig, and the four films he made in France, following his unfulfilling post-war sojourn in Hollywood, are characterised by supreme literary elegance and wit. Their prime subject is the transient nature of love and the particular sorrow of women. His elaborate tracking shots and bravura pans are brilliantly harnessed to mirror the inexorability with which emotions alter over time.Changing critical tastes haven’t been especially kind to La Ronde (1950), Le Plaisir (1952), Madame de… (1953), and Read more ...
theartsdesk
Film fans will not need reminding that next weekend knees all over Tinseltown start quivering at the prospect of the Academy Awards. To get you in shape for the big night, theartsdesk is running a week's worth of Oscar-related features starting on Monday.On Monday Nick Hasted considers the film career of Daniel Day-Lewis, the star of Lincoln considered a dead cert to win his third Best Actor statuette having already snaffled the BAFTA last weekend. On Tuesday, Demetrios Matheou considers the political films in the light of Argo’s spectacular marriage of Hollywood and grim events in Read more ...
james.woodall
Big hitters have graced Berlin, with the festival now reaching its close - Damon, Huppert and Binoche have been and gone, Deneuve is yet to come - but one of the more anticipated visits this week was Steven Soderbergh’s. He has said that Side Effects will be his last feature as he “retires” at 50.If he’s really putting himself out to grass, this slick thriller is an impressive last testament. Jude Law plays psychiatrist Jonathan Banks, who's drawn into murky money and labyrinthine deception as he tries to deal with a patient, Emily Taylor (Rooney Mara), who seems to “forget” Read more ...
Karen Krizanovich
Skyfall is the rarest of Bond films, dividing critics and wowing doubters with extraordinary cinematography and memorable theme tune. Nominated for five Oscars and eight BAFTAS (and winning two), it is the first Bond film to earn more than £1 billion at the global box office.People who may not see another film at the cinema for years will make an effort to see Bond, and the challenge to Mendes and Eon Productions was how to refresh a spy story for the 23rd time. Effectively a Bond reboot without rebooting the lead actor, director Sam Mendes took an intricate script by Bond regulars Neal Read more ...
theartsdesk
“I wonder what the poor people are doing tonight.” This weekend is the 30th anniversary of one of the best-loved films in British cinematic history. There are louder movies than Local Hero, comedies with bigger laughs and more telegraphic intentions. But one of the reasons Bill Forsyth’s pocket masterpiece has earned a place in so many hearts is the gentleness of wry wit, the modesty of its wisdom, and underpinning it all a profound humanity.This weekend we celebrate the birthday of Local Hero in the company of its writer-director Bill Forsyth and its two stars, Denis Lawson and Peter Riegert Read more ...