Film
theartsdesk
Numbers indicate if entries are listed in order of preferenceSaskia BaronAnatomy of a FallBrokerFallen LeavesJoylandKillers of the Flower MoonOtto Baxter: Not a F**ing Horror StoryReturn to SeoulSt OmerScrapperA Thousand and OneThe reason I go to the cinema is mainly to experience other people’s lives and thoughts but also to escape for a few hours from the gerbil wheel of anxiety about the world that spins constantly in my head. 2023 was not a great year for anyone of a fretful disposition, but these were the movies that for a while made me happy and distracted in the dark of the movie Read more ...
James Saynor
For those who ever wonder if soccer scoreboards, or score-line captions on TV, can ever be made to reach three figures, consider the match between AS Adema and SO l’Emyrne, two teams in Madagascar, in 2002. It ended 149-0, but that was only because of an on-field protest. (They were all own goals.)A more shocking shellacking was a year earlier when American Samoa lost 31-0 to Australia in a World Cup Qualifier. It was the biggest loss in international football history, or possibly in school playground history, or possibly in back garden history against the dog – and is now the starting point Read more ...
Saskia Baron
Admirers of Hayao Miyazaki will find much to love in The Boy and the Heron, which he has said will be his final feature before retiring from film-making at the age of 82. It’s a beautifully crafted piece of work with all the tropes that admirers of Studio Ghibli have come to love over the years. The film opens with an apocalyptic fire; it’s night, the air raid sirens howl and the skies are filled with flaming fragments. We hear the frantic breathing of a boy, running towards the burning Tokyo hospital where his mother works. It’s 1943, the Pacific War is raging and Read more ...
James Saynor
You don’t have to be a casting director to know that Britain has a remarkable reservoir of unstarry middle-aged actors who might, just occasionally, get top spot in a movie – Joanna Scanlon in the wondrous After Love (2020) being an excellent example. Now we have Maggie O’Neill, veteran of TV shows like Shameless, Peak Practice and EastEnders, who takes the lead in this equally likeable effort by writer-director Leo Leigh.It’s an ambling, facetious character-piece about hopeless classless numpties going round in circles, a film with surprisingly zero dud notes for a first-time moviemaker. Read more ...
graham.rickson
Unlike, say, Hitchcock and Bernard Herrmann, Michael Powell’s working relationships with musicians were cordial, particularly his collaborations with composers Allan Gray and Brian Easdale.Gray, born Józef Żmigrod in Poland in 1902, had met Emeric Pressburger while working for UFA in the Weimar Republic, their paths crossing again in the early 1940s. Fleeing Nazi Germany for the UK in 1934, Gray was briefly interned as an enemy alien on the Isle of Man after war broke out, Vaughan Williams among those calling for his release as “a musician of distinction”.Gray subsequently provided music for Read more ...
Kristin M Jones
“Nothing is stronger than true love,” a young laird says to a headstrong young woman in Michael Powell and Emeric Pressburger’s I Know Where I’m Going! (1945), his voice heard above the sounds of wind and waves. She replies, “No, nothing.”Even as they are in danger of drowning in the same way, he is recounting a legend in which a prince is doomed to death in the whirlpool Corryvreckan. Mystical forces are woven through the film, and all conspire to help love conquer materialism.Powell and Pressburger began work on I Know Where I’m Going! after they postponed making A Matter of Life and Death Read more ...
David Nice
In his final years Michael Powell mooted the possibility of a Bartók trilogy. He wanted to add to the growing popularity of his work on Bluebeard’s Castle, the deepest of one-act operas, an idea he had previously rejected of filming the lurid "pantomime" The Miraculous Mandarin and, as third instalment, not the earlier ballet The Wooden Prince but a film about the composer’s time in America and his return, after death, to Hungary.Who knows, it could have been a masterly triptych as the film-maker’s operatic trio was not – somewhat ironically, since of course the collaborator on the earlier Read more ...
Saskia Baron
This fascinating American documentary tackles the societal and medical treatment of the 1.7% of people born with intersex traits that leave them with sex characteristics (chromosome patterns, genitals, gonads) that aren’t obviously male or female. These people are the ‘I’ in the LGBTQI+ acronym.We meet three charismatic and impressive campaigners who have intersex conditions.Their life stories are riveting, their arguments persuasive. Political consultant Julia Roth Weigel was born with XY chromosomes and instead of ovaries had testes, which were removed in childhood so the doctors could call Read more ...
Nick Hasted
Water glassily reflects in a bridal train, the sun moves between trees, giving way to metal book-leaves, and inside a warehouse so vast he cycles through it, stored cliffs of Anselm Kiefer’s work loom over him. Wim Wenders’ 3D cameras bring you inside the artist’s monumental, mythic world, which he is uniquely equipped to comprehend.The two men met and talked for weeks in 1991, losing regular touch when Kiefer moved to the French studio in rural Barjac where Anselm begins. Two further years of conversation and observation went into this film, which portrays its artist by shifting Read more ...
Justine Elias
Despite an ominous title, there’s always fair weather in the debut comic adventure film featuring Please Don’t Destroy, a NYC sketch comedy trio that’s hit it big with viral videos and on the long-running NBC series Saturday Night Live. (So long running, in fact, that two of the three are second-generation performers.)In Treasure of Foggy Mountain, Martin Herlihy, John Higgins, and Ben Marshall (all in their mid-to-late twenties) portray bro-buddies housemates who embark on a lighthearted and lightly-plotted quest for buried loot. When they lose their map, tensions flare.Marshall, gangly and Read more ...
Helen Hawkins
As the 117 minutes of Wonka tick by, the question it poses gains momentum: who is this film actually for? Children of all ages?It’s an “origins” story, standard now for all manner of film character, showing the sunnier side of Roald Dahl’s eccentric chocolatier, and how his magical chocolate factory came into being. This Wonka (Timothée Chalamet) is more elfin than goblin, a lovable chap with looks to set teenage girls swooning. It has a love story of a kind in it, but not the type that sets young teeth a-grinding. It’s essentially a comedy, with Britain’s sitcom finest popping up like wack-a Read more ...
Anthony Cecil
The Smyrna Catastrophe of 1922, in which tens of thousands of Greeks and Armenians were slaughtered by Turkish soldiers, is a topical subject for our dark times. Unfortunately the intervening century hasn’t put an end to ethnic cleansing or to the plight of refugees.Grigoris Karantinakis’s 2021 costume drama, originally released in Greece as Smyrna My Beloved, seems to be aware of uncomfortable historical parallels. It begins in 2015, Titanic-like, with a nonagenarian survivor rescuing something from the deep. In this case, Filio Williams (Jane Lapotaire), whose grandmother fled to Read more ...