Film
Sebastian Scotney
Among the plentiful bonus items in this Criterion Collection Blu-ray of Round Midnight, the last one is a surprise. It shows Dexter Gordon in his prime, back in 1969.He’s doing the thing for which, purely as a jazz musician, he’s best known. We see his blistering inventiveness as a bebop improviser. He is playing his own tune “Fried Bananas” with barrelling energy at a club in Copenhagen. In other words, it's nothing whatsoever like the slow, atmospheric playing of Dale Turner, the character played by Dexter Gordon, that we hear throughout Bertrand Tavernier’s moody film.By the time Tavernier Read more ...
Nick Hasted
In another flare-up of Pyrrhic Hamas missiles and punitive Israeli bombing one year ago, over 60 Gazan children were killed. Michael Winterbottom and his Palestinian co-director Mohammad Sawwaf made Eleven Days in May as a “simple memorial to the children who lost their lives”. Sawwaf interviewed surviving relatives, who detailed those lives and erased futures. The result is an understated, unanswerable anti-war film.Sawwaf frames surviving relatives in simple group portraits, structuring the film like a photo album. They sketch affecting, affectless biographies. “Mirwal was two years old, Read more ...
Nick Hasted
The Marvel Cinematic Universe is at its most radical and corporate here; maybe decadent is the word. We start with surgeon turned sorcerer Doctor Strange (Benedict Cumberbatch) threatened then slaughtered in a cosmic chase sequence. It’s just a dream, then it isn’t, and so is/isn’t pretty much everything that follows. For a film due to be a huge mainstream hit, Doctor Strange in The Multiverse Of Madness is narratively anarchic, and dependent on degree-level knowledge of MCU arcana, clearly feeling, as this franchise invincibly warps and morphs, that we’ll take anything now.When the Doc wakes Read more ...
Saskia Baron
There are films that, after seeing the trailer, I very much expect to love. But when the actual movie is disappointing, I find writing the review makes me just a little bit sad. Unfortunately, Wild Men is one of those movies. Billed as a comedy-thriller, it doesn’t quite make the grade on either front, it's not gripping enough as a policier and the jokes often fall flat. Danish director Thomas Daneskov loves Fargo (who doesn’t?) and he’s very much working in a similar setting – small-town cops baffled by incoming crooks. The main outsider is Martin ( Read more ...
Veronica Lee
If the state of the world is a little too bleak for you right now, do yourself a favour and watch this utterly charming documentary about Barry and Joan Grantham, a couple who have been married and performing together for several decades (Audrey Rumsby's film is vague on the details, but archive clips of them performing date back to the late 1940s). They are considered experts in Commedia dell'arte, the comic theatrical artform that dates back to 16th-century Italy and which, the voiceover informs us, provides “the roots and grammar” of European theatre, from Shakespeare to sitcom.The Read more ...
Saskia Baron
Fifteen years after John Carpenter scored a massive box-office hit with his ingenious low-budget sci-fi thriller Escape from New York (1981), he was given a free rein to make Escape from LA. Unfortunately, unlimited access to extras and all the toys available in the special-effects cupboard in 1993 didn’t make for a better movie. The original dystopian satire turned Kurt Russell into a star as leather-clad, eye-patch-toting Snake Plisken. Former soldier turned convict Snake was offered his freedom if he could rescue a corrupt POTUS from the prison island of Manhattan, Read more ...
Adam Sweeting
A dozen years have passed since Downton Abbey first landed on our TV screens, since when it has passed into folklore. Whether you thought it was escapist historical froth, a ludicrous anachronism full of class-system clichés or a documentary probing the British aristocracy, Downton has lodged itself in the national consciousness, probably forever.However, perhaps even some of its most fervent fans thought that a belated second Downton movie was a bit of a stretch. The first one, from 2019, involved the arrival of King George V and Queen Mary at Downton, prompting panic attacks among family Read more ...
mark.kidel
François Truffaut’s Nouvelle Vague masterpiece revolves around an endlessly mutating love triangle, set in a world that encompasses the hedonism of the Belle Époque, the horror of the First World War, and the book burning that ushered in the Nazi period in Germany. The film is a triumph of humanity as well as a deep and touching reflection on friendship, love and marriage.Jules et Jim marked an era, not least because the two male protagonists, the Austrian actor Oskar Werner as Jules and Henry Serre as Jim, are more sentimental than Catherine, the near-psychopathic and yet overwhelmingly Read more ...
Nick Hasted
“Crazy? Aristocrat? Sad? Killer? Drunk?” A modern Tuscan hunting lodge’s regulars remember the myth of irascible rebel Luciano many ways, as it endures from the previous century’s misty turn. Italian-American co-directors Matteo Zoppi and Allessio Rigo de Righi’s feature debut follows documentary shorts drawn from those real hunters’ yarns, tipped now into the phantasmagoric territory of Werner Herzog, or Lucretia Martel’s Spanish colonial fever dream, Zama.We first see reflective stars sparking on Luciano’s silhouette in water, and his green eyes elsewhere seem connected to the cosmos. The Read more ...
Nick Hasted
France is a female dystopia in Audrey Diwan’s immersive illegal abortion drama, set in 1963 and based on Annie Ernaux’s autobiographical novel.Anamaria Vartolomei is Anne, the first girl from her rural family to go to college, where she is a modest but eager star student. Looming exams are a crucial staging-post towards full escape velocity from provincial, working-class restrictions into the writer’s life she desires. Between classes, she lounges on summer grass with her friends, verbally bold Brigitte (Louise Orrey Diquerro) and cautious, quiet Hélène (Luàna Bajrami-Rahmani, pictured below Read more ...
Sebastian Scotney
At a well-attended London press screening of The Unbearable Weight of Massive Talent, there were, as might be expected, knowing chortles from Nicolas Cage-oscenti when specific films from his canon were either inserted or referenced – there were at least 18 of them listed in the closing credits from the hundred or so he has made in total.And yet the appeal of this action comedy is far more general than that. The script, by director Tom Gormican and Kevin Etten, definitely has enough comic intent – and our hero himself has enough self-ironicising lightness – to propel a compulsively Read more ...
Adam Sweeting
Ennio Morricone’s collaboration with director Giuseppe Tornatore on 1988’s Cinema Paradiso was one of the countless highlights of his career, and it’s Tornatore who has masterminded this sprawling documentary tribute to the composer, who died in July 2020.Apparently it took him five globe-trotting years to amass interviews with a huge list of Morricone’s admirers and collaborators, so perhaps it’s no great surprise that he seems to have found editing his material into a manageable shape a daunting task.Tornatore’s decision to plough doggedly through Morricone’s career, from his days as a Read more ...