thu 14/11/2024

DVD: The Theo Angelopoulos Collection Volume 3 | reviews, news & interviews

DVD: The Theo Angelopoulos Collection Volume 3

DVD: The Theo Angelopoulos Collection Volume 3

Four last Balkan requiems by the recently deceased Greek great

A century of slaughter: sheep hang from a tree in Angelopoulos's 'The Weeping Meadow'

Theo Angelopoulos (pictured below) was hit and killed by a motorcyclist on 24 January, as this now final collection of his work was readied. The films of this 76-year-old Palme d’Or-winner (for 1998’s Eternity and a Day, included) wrestled with the tragic recent history of his native Greece and Balkans at sometimes notorious, slowly unfolding length.

An old-time maestro aspiring to novelistic depth, he lured Willem Dafoe, Michel Piccoli, Bruno Ganz and Irene Jacob to his unintended swansong, 2008’s The Dust of Time (unreleased in the UK in any form till now). These DVDs are an elegy to the 20th-century tyrannies and hopes he watched expire.

Ulysses’ Gaze (1995) was buoyed by Harvey Keitel’s post-Tarantino starring role as a Greek-American director pursuing the lost, first reels of film shot in the Balkans in 1905: the footage’s precious “captured gaze” at people swept up and drowned by history could be Angelopoulos’s own. As Keitel nears the heart of contemporary Balkan darkness in Sarajevo, past and present coexist, Bulgarian secret police arresting Greeks for the Nazis standing in the shadows of current border guards. Trilogy: The Weeping Meadow (2004) and The Dust of Time trace decades of persecution and displacement through the love affair of Eleni and Spyros, who elope from a riverside village of Ottoman refugees, and spend 50 years wading back to each other against history’s tide.

This romance shows Angelopoulos’s tendency to almost soapy melodrama, alongside surreal tableaux – the ferrying downriver of a giant, glowering stone Lenin from post-Ceaucescu Bucharest – grandiose language, and sometimes hollowly mystical grace-notes. Questionable decisions are redeemed in The Dust of Time, for instance, by the richly experienced humanity of Piccoli, Ganz and Jacob’s characters, seeing out their century in 1999 Berlin, ghosts of Siberian gulags in their eyes. As a violently stopped voice is mourned, treasure these unparalleled, gripping achievements.

Watch the trailer for Ulysses' Gaze


Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters