New music
Kieron Tyler
White Denim’s literally titled 12th album opens with the fidgety “Light on.” Drawing a line between electronica and Tropicália, it exudes sunniness. “Econolining” and “Flash Bare Ass,” up next, are equally peppy, as bright and similarly accord with the idea of pop as a mix-and-match grab bag – albeit from an off-centre perspective.After this, 12 is about left turns. No one style is embraced. Each track has its own character, distinct from what has come before. “Flash Bare Ass” – a wry commentary on forming relationships in the mobile-phone era – is followed by “Cat City #2”, a 40-ish seconds Read more ...
Thomas H. Green
VINYL OF THE MONTHBlood Incantation Absolute Elsewhere (Century Media)When death metal takes LSD it’s quite a thing. Whether this band have done acid or not, the output of Colorado's Blood Incantation feels that way on their fourth album. Each side is one long suite. “The Stargate” and “The Message”, 20 minutes and 23 minutes respectively, both three-part odysseys that take in Floydian guitar solos, ambient Gregorian-style chanting, Seventies synth-wizarding, lilting reggae rhythms and much else, occasionally and suddenly exploding into galloping guitar squalls underpinned by frenetic blast Read more ...
Guy Oddy
Nothing and All at Once is the debut album from New Delhi electronica producer Jay Pei in his Panelia guise. Featuring a broad but seamless tapestry of electronica, beats and breaks, often with widescreen cinematic vibes, it veers from driving grooves to ambient atmospheres that seem marinated in leftfield 90s sounds.Tipped for great things by the likes of Mixmag Asia, Pei is hardly a newcomer to the electronica scene, having already released a good number of EPs in his own name. However, under his Panelia moniker, he has mined the sounds of maverick producers from just before the dawn of the Read more ...
Kieron Tyler
The return to shops of a consecutive sequence of five of John Cale's Seventies albums through different labels is undoubtedly coincidental. All have been previously reissued multiple times and none are scarce in any form. Anyone wanting any of these albums presumably already has a copy. Nonetheless, it’s good that these makeovers sustain the profile of Cale’s idiosyncratic take on art-rock.The Academy in Peril was originally issued in July 1972. Cale’s third solo album after his 1968 departure from The Velvet Underground, it followed-up March 1970’s Vintage Violence and April 1971’s Terry Read more ...
Liz Thomson
When first I clicked on the stream for this album, I really wasn’t sure about it. In fact, I thought I wasn’t going to like it, much as I had wanted to. But I’ve had it playing almost continuously while I’ve been dealing with mindless stuff – and I’ve come to like it.Not without reservations of course – there are always reservations – but it’s got under my skin and I’m now properly in the groove, appreciating what Lucinda Williams is doing, delving into this most hallowed of song catalogues and bravely tackling numbers that are rarely, if ever, covered. As is her way.Take “Yer Blues”, and “I’ Read more ...
Tim Cumming
Since their eponymous 2011 debut, Three Cane Whale have kept it small without losing scale. A trio of Spiro’s Alex Vann, Get The Blessing’s Pete Judge, and guitarist Paul Bradley, together they often often recorded plein air, on hillsides, above waterfalls, in ancient churches and old barns. For their sixth set, they chose St George’s Bristol, famed for its acoustic, and turned to Leveret’s Rob Harbron as producer, who was also there for them for Holts & Hovers, and the charming mini-album 303 recorded in 2019 on the slopes of Cadbury Hill, in earshot of the A303, and all the traffic on Read more ...
Kieron Tyler
A sycamore tree is described to an appaloosa horse before it is mounted to ride off to visit a friend. The thread used for sewing evokes a map where each street has a doorway which, once opened, reveals memories of those who are missed.Midwinter Swimmers is the musical analogue of Monet’s Nymphéas (Water Lilies) series of paintings, where the familiar is depicted in a way which brings new meaning. Imagery where detail which might be missed brings a fresh understanding of a recognisable setting, and where connections are made between the everyday and the imagined. Or, as The Innocence Mission’ Read more ...
Sebastian Scotney
Jazz music crosses, mixes and unites generations, and the 10 concerts I’ve seen at this year’s EFG London Jazz Festival (out of more than 300 in total) have really brought that home. The oldest musician I heard is a completely lovable miracle. Matt Pannell’s picture (above) shows the empathy and enthusiasm of the great Kirk Lightsey. The pianist was born in Detroit in 1937, the same year as Alice Coltrane, and they shared the same piano teacher. His magical solo piano album "I Will Never Stop Loving You" from 2021, incidentally, is required listening.Lightsey defies the seasons. On Read more ...
Tim Cumming
November can be a month to hunker down for the onset of winter and its weather, and where better to do that than in one of the myriad venues across the capital hosting the annual London Jazz Festival and its hundreds of concerts, from cosy clubs like Ronnie Scott’s and Pizza Express Dean Street to the big stages of the Barbican and South Bank.This review focuses on a trio of outliers from across the jazz cosmos – new band No Noise from Korea; the return of the propulsive, cinematic, muscular and sinuous grooves of Neil Cowley Trio, with a new album, Entity, after seven years away, and Read more ...
Thomas H. Green
What’s to be said about an album that’s half well-executed body-moving, dancefloor pop and half sickly, slick schmaltz? It’s as if the creator is covering off all possible fanbases, those with taste and those lacking it. From a reviewing perspective, with theartsdesk’s score-out-of-five system, it’s tricky; one song I’m thinking, “Yes, a whopper, and the next, yuk, a pure zero.” But, staying positive, about 20 minutes of Do What Makes You Happy’s approximately 40, are full of entertaining verve and bounce.Alice Ivy is the stage-name of Melbourne-based German-Australian electronic producer Read more ...
Kieron Tyler
For most of Canada’s listening public, their country-man Stefan Gnyś – pronounced G'neesh – wasn’t a concern. The 300 copies of his 1969 single didn’t make it to shops. There was little promotion and limited radio play. Gnyś had paid RCA Limited Recording Services to press the seven-incher. Beyond this transaction, there was no record company involvement.“Horizoning” and its B-side “Evangeline” were recorded on 21 April 1969 at St. Catherine, Ontario’s Heidebrecht Recording Services, a facility usually dedicated to recording radio jingles. Eight other tracks were recorded that day. John Read more ...
joe.muggs
The progress of Kim Deal has been one of the great delights of modern music. Much as one wishes Pixies well, they have never been the same without her distinctive voice and presence, whereas her other band The Breeders have only gone from strength to strength – and she has clearly enjoyed the heck out of it, as recently shown on the Live at Big Sur video where the whole band radiate pleasure in playing. Oddly though, although she’s had a spattering of solo singles in the past decade or so, she’s never put her own name to an album until now, aged 63.It could hardly have a better start. The Read more ...