There have already been many musical tributes to Sir Colin Davis, whose death in April left us all so much the poorer, but last night’s from the London Symphony Orchestra was particularly and wonderfully poignant. Davis himself was originally scheduled to conduct the London Symphony Orchestra – an ensemble whose relationship with him extended back over 50 years – but was replaced, fittingly, by his protégé Daniel Harding. A planned Sibelius Second Symphony was exchanged for Elgar’s Symphony No. 2 – a work of valediction, whose funeral march can rarely have paced with such delicate gravity. Read more ...

Imagine an aural swoon of a song like a mermaid’s sigh preceding one which introduces Saint-Saëns’s The Carnival of the Animals to free-jazz skronk. After that, Laurie Anderson pops along to take on the soft soul of the early Seventies Isley Brothers. An evening with Julia Holter encompasses all of that, yet knits it all together gracefully to make a whole like nothing else. Despite the fleetingly familiar elements, it couldn’t really sound ordinary: her chosen live set up supplements her own keyboard with drums, a violinist, cellist and saxophonist. Hardly a regular band.Holter can’t be Read more ...

The final words we see in subtitles in Ibrahim El Batout’s Winter of Discontent, a film centred on the events that began in Cairo’s Tahrir Square on 25 January 2011 and would go on to change Egypt’s future, could not read more ominously today: “And counting…” They refer to the death toll in the popular uprising that would depose Hosni Mubarak, bringing a degree of freedom that Egypt had not known for 30 years. They assume new poignancy in the light of the recent events we have been watching on news reports from the country, 30 months on from those first protestations.But Winter… isn’t a film Read more ...

Amongst my friends, I am known as an admirer of the baked good in just about all of its forms: the loaf, the sponge, the ubiquitous cupcake. And yet something about The Great British Bake Off has always put me off. The relentless commercialisation of certain stereotypes of post-war frugality, typically practised by female heads of house, over the past few years has left a progressively nastier taste in my mouth as national austerity has hit harder. I’m not sure whether the final straw was the Sewing Bee spin-off, or judge Mary Berry’s charming remarks in relation to feminism.What makes 'Bake Read more ...

Glenn Wool, Assembly George Square ****There are some comics who can always be relied upon to create engaging and funny shows, and the Canadian Glenn Wool is one of them. His comedy appears to be straightforward stand-up – anecdotes are interspersed with one-liners and puns, with occasional interaction with the audience, to create a small world of his own, with more than a touch of the surreal about it.This Road Has Tolls gives an outsider's view of UK news stories in the past year, from the Olympics and the royal birth, to the Yewtree investigation and the horsemeat scandal. The last leads Read more ...

Standing in the Albert Hall arena, critics’ notepad in hand, I felt rather like PC Plod taking notes at a crime scene. Only there was no serious crime to report in this engaging late-night Prom by the BBC Scottish Symphony Orchestra and its former Principal Conductor, Ilan Volkov – the ideal man to conduct music that isn’t by Brahms or Schubert.He took charge, you may remember, of the Proms’ epic John Cage circus last year, and the composers corralled into this endeavour could be counted among Cage’s many friends and children. From America we heard from Morton Feldman and Frederic Rzewski; Read more ...

Shot in Seventies throwback grainy-cam, Amanda Seyfried is superb as Linda Lovelace in the surprisingly entertaining biopic Lovelace. Peter Sarsgaard, Sharon Stone, Robert Patrick, Bobby Cannavle, Hank Azaria, Chris Noth, Juno Temple and James Franco round out a dream cast.Directed by Rob Epstein and Jeffrey Friedman (Howl) and written by Andy Bellin, it charts the harrowing rise of 1970s porn phenomenon Linda Lovelace from her Floridian girlhood as Linda Boreman through to her starring role in 1972’s big grossing adult film Deep Throat - said to have earned up to $600m on a production cost Read more ...

The Bolshoi left it till last to be most itself, to dance a ballet that is truly of its blood, its seed - its closing on Alexei Ratmansky's The Flames of Paris will leave much happiness in the memory to override the problematic productions of classics, the unidiomatic Balanchine and the awful backstage events. Here at last, in a work by the most gifted of recent Bolshoi directors, you met on stage young people who dance, who act, who love the theatre, fresh in their performing, skilled in their means, open-hearted in reaching the audience, and loved right back.The previous night the visiting Read more ...

The shipping forecast is never going to sound the same again after Southcliffe. Each time it came back over the four episodes of Tony Grisoni’s drama, set against a background of the limpid dawn sky of marshland Faversham, which stood in for the drama’s fictional market town, we knew that Stephen Morton (Sean Harris) was about to embark on his shooting spree. Terror came out of nowhere.Or did it? That seemed the opening episode’s question, as we saw the outsider Stephen’s already fragile state of mind pushed over its limit by a ritual humiliation that seemed all too in-character for the place Read more ...

In a couple of weeks Marin Alsop will become the first woman ever to conduct the Last Night of the Proms. Yesterday's programme of 19th century works by Brahms and Schumann, on the fifth of the eight Saturday nights of the season, thus had its Proms-specific raison d'etre, a signpost towards that history-making final Saturday. Just as the last night's high jinks have their own, ordered traditions, the Proms planners definitely enjoy giving a self-referential logic to the season.The programme, which Alsop conducted entirely from memory, was a cleverly constructed juxtaposition of works which Read more ...

“Everything you think you are, you’re not,” pronounced Holly Hunter’s inscrutable GJ in the final episode of the chilly Top of the Lake. Certainties crumbled as the series progressed, with Elisabeth Moss’s Robin Griffin discovering that almost everyone in the remote New Zealand town of Laketop had something they would prefer to hide. Returning there to see her terminally ill mother, Griffin also found that what she had escaped was becoming far too close, threatening who she thought she was - and who she actually may be. Top of the Lake may have been framed around the search for a missing Read more ...

 R Stevie Moore: Personal AppealIt’s a brave person who whittles down the output of R Stevie Moore to one CD. Since 1969, he’s made at least 175 albums, a significant proportion of which he committed to cassette tape. There are also a similar amount of singles, live albums and collaborative efforts. Handily, the British label Care in the Community has taken up the challenge and, instead of releasing a compilation which darts off all over the place stylistically, has issued a disc which unfolds as a unified album. No mean feat considering that the tracks on Personal Appeal originally Read more ...