Reviews
Nick Hasted
Freddie (Park Ji-min) is a social hand grenade, flinging herself into situations to see where the splinters fall. Born in Korea but adopted and raised by French parents, a seemingly impulsive, brief detour to Seoul sees her seek out her birth-parents.Her birth-mum ignores her, and her birth-dad (Oh Kwang-rok, pictured below) proves a gauche, maudlin drunk. In a film of mistranslations, anger and rejection fall into the linguistic chasm between French-speaking Freddie and her new family. Her birth-aunt (Kim Sun-young) is the embarrassed go-between, improvising polite Korean frames around Read more ...
Helen Hawkins
Reggae hits are already playing over the speaker system at the Bush when the audience enters, some jigging to the sounds as they find their seats. The set before us is a living room with a bright orange carpet, a squidgy tan faux leather armchair and a cocktail trolley.The party atmosphere continues when August Henderson comes on, aka a trim and grinning Lenny Henry in a suit, collar and tie and soft tweed cap. And there’s more jollity as August starts handing out tots of rum from his little cocktails trolley and swings into the terrain that made Henry’s name in the early days of his career, Read more ...
Guy Oddy
Duran Duran were back in their hometown of Birmingham this weekend for the first time since performing as part of the open ceremony of the 2022 Commonwealth Games and were justly forthright in trumpeting their local history. Even Pinner-born Simon Le Bon was keen to claim his stake, telling the audience a long and convoluted tale about being dubbed an honorary Brummie by UB40’s Ali Campbell 25 years ago.“Ordinary World”, for instance, was introduced by Le Bon stating, “It’s been quite a year. For Duran Duran and Birmingham. The high point was playing the opening of the Commonwealth Games and Read more ...
Kieron Tyler
It’s flabbergasting. OK, there’s the power of the internet as a propagation tool but here’s a German band playing their first UK show to a jumping-up-and-down audience punching the air while shouting along with the chorus of “X-Ray Vision” – which, indeed, is “X-Ray Vision”. The reception is extraordinary.Die Verlierer are from Berlin and have made one album. Their mix-and-match look takes in suit trousers, T-shirts, work boots and the odd formal jacket. Hair is short, a little bit glam-rock feathery. The sound is punk rock without being rooted in The Ramones, Sex Pistols or anything Read more ...
Sarah Kent
Maher (Maher el Khair, an actual brick-maker) works in a brickyard sloshing sticky mud into rectangular moulds with his bare hands. Next the mud bricks are tipped out to dry in the sun, before being fired in a large, wood fired kiln. The same process has been used for centuries, yet this brickyard is within spitting distance of the Merowe Dam, a state-of-the-art hydroelectric dam built across the Nile in Sudan. Ancient and modern technologies collide.After a day spent in the mud, the men all go for a swim, except Maher who borrows a motorbike and rides off into the desert. Driving along a Read more ...
Kieron Tyler
Amongst the stranger recordings surfacing in 1977’s summer of punk was the version of Sex Pistols’s “Pretty Vacant” appearing on the budget Hallmark label album Top Of The Pops Volume 60 – the latest in a long-running series collecting ostensibly sound-alike versions of current hits recorded by anonymous session musicians and singers in a Wembley studio.This “Pretty Vacant” just-about caught the heft of the original but was in no way a convincing facsimile. The singer tried though. He adopted a voice along the Old Man Steptoe lines which might have caused the then Johnny Rotten to chuckle. Read more ...
Hugh Barnes
The incendiary topic of Egyptian-American director Lotfy Nathan’s debut feature Harka is poverty and corruption in Tunisia a decade after the failed promise of the Arab Spring.The word harka in the local Arabic dialect means either “to burn” or “to emigrate illegally”, and both definitions refer to the sad story of Ali Hamdi (Adam Bessa), an unlicensed petrol vendor on the streets of Sidi Bouzid. This is the desert city where, in 2011, a real-life barrow boy by the name of Mohamed Bouazizi literally ignited the country’s Jasmine Revolution with a symbolic act of self-immolation following Read more ...
David Nice
Who’d have thought Florence Price, Rachmaninov, Gershwin and Brahms would all fit the (unspoken) theme of 1930s America? Brahms made the bill by virtue of Schoenberg’s 1937 arrangement of the C minor Piano Quartet, so outlandish and camp that you’d be tempted to credit Stokowski as the orchestrator. Like Rachmaninov’s Rhapsody on the Theme of Paganini, it needs vertiginous audacity: that came in spades from conductor Joshua Weilerstein and pianist Martin James Bartlett.Weilerstein and an orchestra sounding especially lustrous in the string section made the best possible case for currently Read more ...
Ismene Brown
Sometimes I go outside and look at our kitchen drain. Where there should be a vortex there’s a largely static pool. Tree roots have recently grown through the old pipes, their clumps colonised with fat, dog hair and coleslaw bits, and though a bit of handpumping will shift some of the stale water for a while, it really needs systemic attention from Dyno-rod. A good Dyno-rodding is what Chichester’s new production of Noel Coward’s The Vortex needs too.The catchline for the staging is that a real-life mother and son play the sex-mad mother and drug-addicted son of the drama, the subtle and Read more ...
Nick Hasted
James Gunn is running the whole DC show now, but his Guardians films have stayed free from Cinematic Universe snares, even the group’s Avengers cameos beaming in from their own pop-art corner. This swansong is their indulgent, sometimes meandering double-album and darkest chapter, making a visceral anti-vivisection and anti-eugenics case.Volume 3 resembles Ant-Man and the Wasp: Quantumania in the shadows cast over a dayglo series by a particularly vicious villain. Stan Lee and Jack Kirby’s High Evolutionary was a relatively benign, species-splicing Dr Moreau, turned by later writers into a Read more ...
Tim Cumming
“YOUR NEW ALBUM IS FUCKING DEADLY!” hollers a voice from the depths of a full house at the Barbican on Thursday night, the first date on the north Dublin band’s UK tour for their stunning new album, False Lankum.Queue it up for your listening pleasure, and you’re going to be submerged in a sonic netherworld raised up by the four-piece’s panoply of organic drones seemingly captured in an echo chamber of epic proportions, with funereal drum taps, singer Radie Peat’s voice at its most haunted and disembodied, and more reminiscent of Heathen Earth-era Throbbing Gristle than anything heard before Read more ...
Hugh Barnes
Nowadays Robert Graves is best known for his later and least interesting works on Greek myths and Roman emperors, but at his best, in the first decade of his writing life, as a war poet (Fairies and Fusiliers) and war memoirist (Good-Bye to All That), he was a powerful mythmaker in his own right.He was also borderline absurd, a cut-price Lord Byron whose scandalous private life – in particular the Jazz Age ménage à trois with his wife Nancy Nicholson and a charismatic American literary critic, Laura Riding – somehow overshadowed his literary career.The title of writer-director William Nunez’s Read more ...