religion
alexandra.coghlan
Whips, scourges, sinews, blood and pus: where Bach’s two Passions lament from a contemplative distance, Handel’s plunges right to the bone, to the cruel, tortured death that is the heart of the Easter story.Perhaps that explains the work’s recent neglect. While Easter Week in London annually offers more Bach Passions than you can count on both hands, Handel’s – a model and influence for Bach’s later works – has been all but silent. But with this performance from the Academy of Ancient Music maybe the tide is turning – troubled times finally bringing the beautiful horror of Handel’s Passion Read more ...
Jasper Rees
The problem with Fleabag (BBC Three/BBC One) is that it makes almost all television look pedestrian. It’s like the difference between Fleabag’s scummily inadequate boyfriends and the unattainable perfection embodied by the cool sweary priest. Earth vs heaven. Water/wine. And now it is gone.Having delivered a raging aria about the cruelty of love, the sinning father fled back to the triumphant embrace of the Almighty, pursued by a cunning fox. Having declared her own simple truth about love Fleabag, clutching a re-stolen effigy of her mother’s fecund body, set off in the other direction, her Read more ...
aleks.sierz
Theatre can give a voice to the voiceless – but at what cost? Abhishek Majumdar, who debuted at the Royal Court in 2013 with The Djinns of Eidgah – about the situation in Kashmir – returns with his latest play, Pah-La. Just as his debut was controversial, his new one is likewise politically sensitive. It is about Chinese oppression in Tibet, and its staging has been delayed for more than year due, says the playwright, to pressure from the Chinese authorities. Not only that, but the production process has been overshadowed by unhappiness about cultural appropriation since not a single Tibetan Read more ...
Tom Birchenough
The Crucible is a play that speaks with unrelenting power at times of discord, most of all when the public consciousness looks ripe for manipulation. Never more appropriate than now, you might think – and in a year in which the work of Arthur Miller seems all over the West End, the chance to see a more experimental production of his masterpiece of 17th century religious obsession, based on the Salem witch trials but reflecting as much the anti-communist hysteria of 1950s America, looks inviting. Especially so given that The Yard, the ambitious Hackney Wick studio space that is staging it, has Read more ...
graham.rickson
Martinů: The Complete Music for Violin and Orchestra Bohuslav Matoušek (violin), Czech Philharmonic Orchestra/Christopher Hogwood (Hyperion)You can't overdose on Martinů: four reissued discs of concertante music for violin and orchestra might sound heavy going but I challenge anyone to get bored. There's an embarrassment of riches here, most of it seldom heard in the UK. You could do worse than start with the sublime Rhapsody-Concerto, soloist Bohuslav Matoušek switching to viola. Martinů characterised his lyrical late period as marking a shift from “geometry to fantasy”, and here the Read more ...
Owen Richards
When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix. Their return in 2019 heralds a much bigger reaction, with faces plastered on front pages and buildings (including a traditional Derry mural). Can these comic upstarts meet the considerably raised expectations?Well, leave it to the ethereally oblivious Orla to quell any early reservations. Interrupting Erin in the tub as she wistfully imagines Read more ...
Tom Birchenough
Joel Edgerton’s second turn as a director is the second film in a year to treat the subject of gay conversion therapy. The first was Desiree Akhavan’s The Miseducation of Cameron Post, whose victory at Sundance a year ago confirmed, symbolically not least, its origins within the world of American independent cinema. By contrast, Boy Erased comes squarely out of the studio system, with an approach to theme and broader treatment that is clearly aimed at a wider audience.For once, however, it’s not a case of Hollywood simplifying or reducing its starting material. Edgerton himself adapted Read more ...
Adam Sweeting
Apparently in Denmark they pronounce screenwriter Adam Price’s surname as “Preece”, but its English-looking spelling stems from the fact that his ancestors moved from London to Denmark in the 18th century. He came storming back into the British consciousness with the Copenhagen-based political drama Borgen, which happened to coincide with the “Nordic Noir” boom but managed to succeed without the latter’s obligatory diet of eccentric detectives and ghoulish serial killers. Instead, it wrought its ratings-winning magic from the professional machinations and private preoccupations of Danish Read more ...
aleks.sierz
Wow! First, the Black Panther team took cinema by storm; now, they have conquered theatre as well. Or, at least, two of them have. The Convert has been written by actor and playwright Danai Gurira (Okoye), and stars Letitia Wright (Shuri). Originally staged in the United States in 2012, and currently part of Kwame Kwei-Armah's first season at the Young Vic, this three-hour historical epic, which tells the harrowing story of an African Catholic believer's attempt to convert a young black woman in colonial South-East Africa, has a great cast which also includes Ivanno Jeremiah, Wright's Read more ...
Tom Birchenough
Jamil Dehlavi is a filmmaker whose work straddles two worlds. His native Pakistan is certainly the key element in the two early films on this BFI dual-format release – it follows on from the director’s August South Bank retrospective, the first there for a director from that country – but it is as if, for a variety of reasons, he always had a foot in a cinematic context that went beyond it.His film education and training came in New York, and the spirit of experimental cinema of the time infuses his 1975 Towers of Silence, though its visual elements are anchored in Karachi’s shoreline and Read more ...
Katherine Waters
In the video, Kathy Jetñil-Kijiner smiles shyly before beginning. As she speaks, her voice gains conviction, momentum, power. Her poem tells of the Marshall Islands inhabitants, a “proud people toasted dark brown”, and a constellation of islands dropped from a giant’s basket to root in the ocean. She describes “papaya golden sunsets”, “skies uncluttered”, and the ocean itself, “terrifying and regal”. She tells of “songs late into the night” and “a crown of fuchsia flowers encircling / aunty Mary’s white sea foam hair”. In a room dominated by a vast appliqué textile of blue tarpaulin slashed Read more ...
Tom Birchenough
The end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhaps intimidating. There’s the sheer scale of the space and the chance to write for a large cast; a historical subject seems to be part of the brief, so a chance to experiment for many writers, while despite a run that’s rarely more than a dozen performances, it brings an investment in rehearsal time and other support that commercial theatre couldn’t offer.The challenge, of course, is living up to the rest of the repertoire, as well as finding material that somehow also Read more ...