In 2006 the thatched house in Lymington on the Hampshire coast which had been the home of Ken Russell (b 1927) for 30 years burned down. All of the director’s original film scripts, including Women in Love, The Devils and Tommy, were destroyed. So was the bulk of the music collection which inspired him to make his groundbreaking films about composers in the 1960s. There is, however, one part of the Russell archive which has survived, for the simple reason that for 50 years it had never once been in his possession.

The trajectory of Terence Rattigan’s standing finds two peaks separated by a deep trough. From the late Thirties to the mid Fifties, he gave a voice to a social class which liked to keep its feelings under lock and key. Then in 1956 Rattigan was occluded by the dazzling verbal incontinence of Jimmy Porter. In 1991 a production of The Deep Blue Sea at the Almeida starring Penelope Wilton rebooted his reputation.

At Thanksgiving in 1999, a 75-year-old retired widowed museum director came out to his family. He had only recently been widowed after a marriage lasting more than four decades. One of the people to whom he broke the news was his son Mike Mills, then in his early thirties and not yet a film director. This year the movie inspired by that moment was released, and it now appears on DVD.

When the former Miss Wyoming, Joyce McKinney, walked towards UK Customs in 1977, she had a perfect tabloid story in her bag: handcuffs, a Smith and Wesson pistol, and a burning desire to rescue the love of her life from the Epsom Mormons. One of her American accomplices, KJ May, attracted by her newspaper ad - “Big Adventurous Dude Wanted” for a “Free Trip to Europe!” - and tendency to open the door in transparent blouses, stuck with her long enough to help spirit that love, Kirk Anderson, away to a Devon cottage.

Those of us un-Zeitgeisty enough to miss the Royal Ballet’s first new full-length ballet in 20 years during its first run can now catch up. Opus Arte’s DVD release of the televised Alice’s Adventures in Wonderland tells a different story from the one any audience members other than front-of-stalls ticket holders would have caught. With more focus on the characters and less on the potentially overwhelming special effects, we probably get a better deal.

Since breaking onto the movie scene in 2001 with major roles in A Knight's Tale and A Beautiful Mind, London-born Paul Bettany (b 1971) has pretty much gone through the card.

When I interviewed the great Hungarian film-maker István Szabó (b 1938) in his native Budapest, he took me on a tour of the city centre on the Pest side of the Danube. On the way we were distracted by a flashy café designed to lure tourists. It was called Mephisto – after the film by Szabó, presumably, which won the Oscar for Best Foreign Film in 1981. “I don’t know if it’s named after the film," he said, "but I think it must be because they have used the same typeface.” Then he added, “I’ve never been in there.”

David Leland (b 1947) has worked extensively both sides of the Atlantic but he is best known, both as a writer and a director, for his shrewd observations of ordinary people struggling against the constraints and hypocrisy of the accepted social mores of English life in films such as Mona Lisa (1986), Personal Services (1987) and Wish You Were Here (1987). However, it was Made in Britain (1982), a television play written by Leland for Channel 4 and directed by Alan Clarke, that first brought Leland widespread acclaim and the story of Trevor, a sociopathic skinhead, indisputedly destined for a life of incarceration, is assured of its place in television history.

Christopher Eccleston’s performances have a raw-boned, visceral quality which makes him a sometimes unsettling - but always compelling - actor to watch. Since his big break in the harrowing Let Him Have It (1991), playing Derek Bentley who at 19 was the last man to be hanged in Britain, Eccleston has played Hamlet at the West Yorkshire Playhouse and worked alongside some of Hollywood’s biggest names including Kate Winslet (Jude, 1996), Cate Blanchett (Elizabeth, 1998) and Nicole Kidman (The Others, 2001).

Wim Wenders (b 1945) is one of the great travellers of contemporary cinema. Multi-disciplinary and theme-driven, his work often asks questions about memory and identity, and pulsates with the strong spirit of very particular places.