Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her.

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects meanwhile exist on the malign edge, from Snowtown’s suburban serial killer and Nitram’s mass shooter to Ned Kelly.

Ellis is the contrastingly loving renegade subject of Kurzel’s debut documentary Ellis Park, an escapee from suburban Ballarat who here journeys further out to the titular Sumatran wildlife sanctuary he helps fund, where he plays to animals like a shaman Dolittle in jungle mist.

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's portraying the American President in Kathryn Bigelow's tense political thriller A House of Dynamite.

In the summer of 2005, Robert Redford, who died this week, attended the Karlovy Vary Film Festival in the Czech Republic, to collect a life achievement award. And his appearance in front of the media coincided with a startling news story that was rippling around the world. 

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the Berlin-based Yorkshireman, who plays a washed-up tennis player turned coach living on the Canary island of Fuerteventura in Jan-Ole Gerster's slow-burning psychological thriller Islands. "I'm sure it's great to drop the kids off for a while and enjoy some peace and quiet. But my idea of relaxation is quite different."

The German actor Leonie Benesch has an issue with erratic pacing in films. "I find it awful when a character talks and then there's a two-second pause before the dialogue continues," she says.

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director Dag Johan Haugerud, whose new film Oslo Stories: Dreams is all about the most beautiful and painful feeling in the world. 

To get Lars Eidinger "right", one must take him cloven hoof and all. He's intense, unconventional, and driven – but by what, exactly? Self-hatred, he says. Complacency, his critics say. The truth probably lies somewhere in between. But if two things are certain, it's that his performance as an emotionally withdrawn conductor in Matthias Glasner's Dying confirms him as one of the finest German actors of his generation, and that he has a sublime talent for character-building.

Over a decade ago, a handful of Greek filmmakers set out to reinvent the national cinema amid the country's social and economic decline. Athina Rachel Tsangari was one of the the most gifted.

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there is also a disarming softness in her; a balanced mix of femininity and subtly fierce determination that made her the perfect choice as Emily Brontë in Frances O'Connor's 2022 biopic about the author’s journey to womanhood.