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'We are bowled over!' Thank you for your messages of love and support
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Son, BBCSO, Oramo, Barbican review - a fiery Firebird and some welcome rain
This programme – of Weir, Bartók, Finzi and Stravinsky – was right up my alley, and the BBC Symphony Orchestra and Sakari Oramo delivered…
Classical CDs: Phantasies, parades and prayers
Lise Davidsen: Live at the Met Lise Davidsen (soprano) James Baillieu (piano) (Decca) Image…
Ladytron's latest, 'Paradises', wallows dreamily in Balearic pop
The best of Ladytron should be on everyone’s playlists. Over 27 years, the Liverpudlian synth-pop act have established themselves as a well…
Plantoid, Moth Club review - Brighton-based band showcases a penchant for jazz
“Jazz,” exclaims an audience member just after Plantoid launch into “Ultivatum Cultivation,” tonight’s second song – also the second song…
Witch Fever + Cowboy Hunters, Bodega, Nottingham - an enthralling night with two sets of rising stars
It’s the first date of Manchester rockers Witch Fever’s European tour and things are off to an iffy start. Drummer Annabelle Joyce has food…
Elisabeth Leonskaja, Wigmore Hall review - fantasy and rigour
The master pianist and pedagogue Heinrich Neuhaus impressed upon Elisabeth Leonskaja the maxim "don't look for yourself in the music, but…
The Tasters review - spring greens time for Hitler
Do we really care what Hitler liked to eat? Well, here’s a film that does, so I can reveal an answer. Typical meals might have included…
The Black Crowes journey back to 1973 on ‘A Pound of Feathers’
After a career of constant line-up churn, the video for recent single “Profane Prophecy” would suggest that the Black Crowes are now down…
The Love that Remains review - regret, joy and giant rooster nightmares
The Icelandic director Hlynur Pálmason follows up Godland with an equally striking film, this one about a moribund marriage. It’s a living…

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