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latest in today

'We are bowled over!' Thank you for your messages of love and support
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The Holy Rosenbergs, Menier Chocolate Factory review - still timely and thought-provoking
The Middle East is on fire – again. So Ryan Craig’s brilliantly provocative play, The Holy Rosenbergs, is more relevant than ever. Near the…
New Age Doom team up with Bad Brains’ HR on ‘Angels Against Angels’
In recent years, noisy Canadian experimentalists, New Age Doom have shown themselves to be unafraid to engage with musical genius from all…
Ballet Black at 25, Linbury Theatre review - a 21-year-old's dream comes of age
Search “black ballerinas” online and you will be offered shoes, which doesn’t say much for the racial diversity of classical dance in today…
Catherine Opie: To Be Seen, National Portrait Gallery review - identity put on display
American photographer Catherine Opie took her first self-portrait at the age of nine with a Kodak instamatic she’d been given for her…
Unfamiliar, Netflix review - funerals in Berlin
Berlin always makes a flavourful setting for labyrinthine stories of betrayal and deception (see Le Carre and Len Deighton for further…
David Byrne, SEC Armadillo, Glasgow review - a theatrical spectacle with fiery energy
When David Byrne made a mention of heroes and superheroes, one audience member could not resist. "Like you" they yelled out, and while the…
Rebels and Heroines, Davis, Richmond, O'Sullivan, RDS Concert Hall, Dublin review - straight to the operatic heart of the matter
Most concerts of operatic excerpts serve up an after dinner mint. This one offered - to follow up Menotti's image of light versus serious…
Katherine Priddy's 'These Frightening Machines': songs of mature reflection
With two albums, The Eternal Rocks Beneath and The Pendulum Swing behind her, and tours aplenty to support them (including a recent trek…
A Private Life review - promising French noir fails to deliver
What a strange little film, uncertain if it’s a Hitchcockian thriller or a comedic poke at the shibboleths of psychoanalysis, A Private…

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