New music
Guy Oddy
It’s absolutely normal to expect the weird and the wonderful each time those prolific Australian psychedelicists, King Gizzard and the Lizard Wizard release a new album. Yet, guitars are also pretty much expected to be somewhere in the mix. Not so with Alien Metal: their 28th album in 14 years.Fuelled by Joey Walker’s recent synthesizer obsession, Alien Metal apparently evolved from an extended seamless Eurorack jam that took in techno, breakbeat, house and the electronic end of prog rock to make something that is part thumping hardcore foot-stomper and part tripped out hard-spinner. However Read more ...
Mark Kidel
There is a jovial intensity about the Jeremy Ledbetter Trio. As they launch vivaciously into the second set of their visit to a packed Ronnie Scott's, they clearly enjoy playing together, as the many smiles and expressions of delight they exchange on stage make blatantly clear. There is a relentlessness, though, as if they’d allowed themselves to be a little too possessed by their virtuosity and high volume.
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As Ledbetter (pictured left) makes clear in his opening intro, almost a harangue rather than something tentative, the Read more ...
Ellie Roberts
The staggering musical talent of Citizen has become more and more apparent with each album they have released, and Halcyon Blues continues the trend.This album would in fact be a perfectly acceptable place to start for anyone who is still missing out on this band. Opening track “Good Fortune” immediately invites you to sit next to them before they take you on an almost 40 minute immersive experience, offering refined but effortless elements of everything that makes them unique as the tracks go on. Mat Kerekes’ imaginative, alluring lyricism and soothing but commanding vocals lead the way Read more ...
Kieron Tyler
“She said her life was like a motorway… dull, grey, and long.” The lyrics of “Like a Motorway,” from Saint Etienne’s February 1994 album Tiger Bay see the titular highway negatively, signifying a life defined by a prolonged drabness.Saint Etienne released their final album, International, last September. By that point, Bob Stanley, one third of the band, was already bedded-in as an author. He has also been behind a series of concept compilations. Rather than being devoted to a genre or style – maybe acid folk or Belgian popcorn – they aim to bring to mind a situation, a setting, particular Read more ...
Kieron Tyler
The only break in the flow comes just before the last song, “Toppling.” There’s a need to tune the guitar, so what – until this point – is an uninterrupted, pell-mell rush through what seems to be seven other songs is briefly halted.“Seems to be” as it’s hard to detect when one entry in the breathless half-hour set bleeds into the next. Individually, the songs have stop-start structures, handbrake turns from one time signature to another, and sudden outbursts of noise which abruptly give way to short passages which hint at a reflectiveness. Then, boom, off into the next swirling slab of Read more ...
Guy Oddy
These days, Alfie Agnew is a Maths professor at California State University Fullerton. Back in the 1980s, however, he was singer and guitarist with US punks the Adolescents, as well as DI along with Sean Elliot. However, while academia might provide a more regular income than playing music, it clearly isn’t anything like as much fun. So, for the last decade, the pair of them have been scratching that itch in their side hustle, Professor and the Madman, along with Rat Scabies and Paul Gray of the Damned.Dreamworld is far from a group of punk veterans revisiting old glories though. In fact, its Read more ...
Thomas H. Green
Since the release of her last album, Eternal Sunshine, in 2024, Ariana Grande, already a multi-platform superstar, has exploded to even greater fame, via the Wicked film franchise. Given her peaking global profile, one might have expected the 33-year-old, ex-teen TV idol to come charging out with a maximalist pop whopper in the vein of, say, Lady Gaga’s Mayhem. But, no, she’s headed to contemplative waters.Where Eternal Sunshine, a funky Dua Lipa-esque disco riff, celebrated pop, petal (sold to us in lowercase letters) has the smeary, slightly opiated-sounding production that the kids seem to Read more ...
Joe Muggs
You can’t really understand house music without grasping the influence of the Black American church. As it coalesced from the remnants of disco in Eighties Chicago, New York and New Jersey, the style brought together important influences: new technology, queer culture, Latin rhythms, and crucially, a sense that the club is a church. All of those joyous piano riffs, full throated singers, songs of peace and harmony / coming together / hope for a better world – which would in turn be sampled and used to amplify the ecstasy experience for UK ravers – and the sense of dancing, even without that Read more ...
Katie Colombus
You can tell what a festival believes in by where the crowds crush the hardest. At Latitude, it's in the forest for the up-and-coming acts, the Listening Post for the poetry and the Waterfront Stage for the ballet – as much as the main stages, sometimes more.On Thursday evening the Disco Shed was already spilling its glitter into the trees, and over at The Listening Post the queue for Hollie McNish had closed the tent before I could get in. My peevishness at missing it was quickly replaced with delight that a poetry reading was oversubscribed on the opening night of a festival that also Read more ...
Thomas H. Green
FRIDAY 24 JULY, by Guy OddyEven for a festival whose whole purpose is to platform a rich range of artists from cultures all around the world, WOMAD 2026 is seriously on top of its game for a new start at a new venue deep in the heart of rural Wiltshire. The 2000-acre Neston Park, created in the 1790s, proved a beautiful setting that mirrored the excellent acts and fine weather. It's certainly no Womud and sunscreen is at something of a premium during long summer days.
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Similarly, the food on offer is consistently off-the-hook and the Read more ...
Sebastian Scotney
This album is such a remarkable document, and on so many levels. Perhaps its main "story" is that it could well be the very last studio recording by Jack DeJohnette (1942-2025), having been made during sessions on two successive days at a studio near the great drummer’s home just outside Woodstock in upstate New York, at a time when he was already avoiding travel, and, as it was to turn out, not quite a year before he died.DeJohnette was indisputably one of jazz’s greats and the sheer wonder of his musicianship shines through on this wonderful record. As Ethan Iverson has written, among jazz Read more ...
Joe Muggs
We’ve said it before but it bears repeating. The globalisation of music culture, from ultra mainstream to underground, in the past decade has been a bigger revolution, affecting more people, than punk or acid house ever were. Case in point is the rise of South African dance music, in particular the slow and sensuous amapiano sound which exploded worldwide in 2020 as millions stuck inside in COVID lockdown simultaneously discovered its mood-lifting properties via online DJ sets. It got adopted by stars from Beyoncé and Drake down, created huge DJ careers, and has generated one bona fide Read more ...