NCT WISH deliver polystylistic pop perfection with ‘Ode to Love’

This debut album is a genre-hopping feast for the ears

share this article

10 tracks, zero fillers

This first full-length album from K-pop sextet NCT WISH – one of a number of NCT sub-units including NCT 127, NCT Dream, WayV, and NCT U – is a 10-track delight, with not a filler in sight.

A multilayered, widescreen banger, album opener “2.0 (TWO POINT O)” channels the bassline-driven, vocally rich melodic pop of SM Entertainment labelmates SHINee. The immaculately produced title track is an up-tempo, 130+ BPM anthem with strong UK Garage influences, delicious harmonic motion, and an abundance of ear candy, not least the way in which it reimagines the opening earworm vocal hook from The Cranberries' 1994 classic, “Ode To My Family”.

“Sticky” is a quintessentially NCT polystylistic confection, propelled by a bossa-inflected acoustic guitar riff and layered with a wobbly sub-bass line, tinkling glockenspiel, and pleasingly squelchy analogue synth lines. ‘Feel The Beat’ is marked out by a killer bass synth and euphoric chorus – the dopamine hit is huge with this one.

“Crush” opens with a gorgeous, tintinnabulating piano riff and main vocalist Jaehee's impeccable falsetto, weaving in trippy metrical changes. “Street (2AM)” takes a more stripped-back approach, making effective use of the group's lower vocal registers as funky drums lock in with jazzy guitar licks to hypnotic effect, while “Glow Up” rides a syncopated piano riff with a similarly irresistible momentum.

“Everglow” is a joyous dance-pop powerhouse lifted by a striking pre-chorus (the first delivered by Yushi) and ever-changing textures. “Don't Say You Love Me” delivers yet another of WISH's characteristically hooky choruses. And to finish? Vocalist and bandleader Sion leads the way on “Voyage”, a power ballad which is heartfelt and soaring in equal measure. Listen with the cans on for maximum pleasure.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
'Crush' opens with a gorgeous, tintinnabulating piano riff and main vocalist Jaehee's impeccable falsetto

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time