New music
Liz Thomson
Rufus Wainwright has long expressed his admiration for “pop music with an operatic sensibility, the profane with the divine”, inspired by The Unknown Kurt Weill and Stratas Sings Weill, the albums recorded by Greek-Canadian soprano Theresa Stratus whose final performance at the Met thirty years ago was as Jenny in Brecht-Weill’s opera The Rise and Fall of the City of Mahagonny. Recorded live with the Pacific Jazz Orchestra under the baton of Chris Walden, who is also responsible for the arrangements, I’m a Stranger Here Myself was recorded live in March 2024 at the Read more ...
Kieron Tyler
“Mrs Bluebird” is one of the great singles. Released in May 1968, it is airy yet lush. The filigreed harmony vocals are like velvet, the rhythm is insistent but soft. Overall, there is a sense of distance; that what’s heard is not quite within reach. When a guitar solo comes, it is sharp but muted. This is archetypal American harmony pop – but with a distinct freeze-dried character.It was the top side of the third single by Eternity’s Children, and made 69 in Billboard’s singles chart. It got to 54 in the Cash Box ranking. A UK release of “Mrs Bluebird” suggested there was chance this Read more ...
Guy Oddy
It’s not often that a band manages to get a Birmingham crowd dancing from the front of the stage to the back of the hall. However, Lambrini Girls achieved this feat on Saturday evening – from the very first bars of their set until they finally exited the stage after an encore of the lairy “Big Dick Energy”.It’s not even as if Phoebe Lunny and Selin Macieira-Boşgelmez have had a great deal of time to build their audience either. Lambrini Girls only formed in 2019 but they’ve certainly grabbed the zeitgeist by the short and curlies in that time and in doing so have attracted a seriously diverse Read more ...
Tim Cumming
Out of the hundreds of gigs, surprises and collaborations that make up the EFG London Jazz Festival (LJF), this review focuses on four concerts fusing jazz with world music. They are the Korean extravaganza of Dionysus Robot (pictured) at the Queen Elizabeth Hall; British-Bahraini trumpeter Yazz Ahmed’s melding of jazz, Middle Eastern elements and Bahraini history at Ronnie Scott’s; a late-career turn from Ethio-jazz giant Mulatu Astatke at the subterranean Here at Outernet; and the festival’s closing weekend ‘takeover’ by the Aga Khan Master Musicians at the Royal Festival Hall.Won Il, Read more ...
Tim Cumming
Noura Mint Seymali is possessed of the most extraordinary voice; its very fabric is electrifying, its reach, power and depth cut from an entirely different cloth to the rest of us. Maybe it’s a cloth of gold. And then there is her axe-hero husband Jeich Ould Chighaly’s shapeshifting, inventive guitar work, its distorted fizz and fuzz redolent of Seventies Glam and heavy rock melded into Mauritanian desert blues – and just as addictive. The guitar lines twist, smoulder, spark and melt like solder, with the traditional andine acoustic harp that Noura Mint plays and uses to define her music’s Read more ...
johncarvill
Bliss it was to be a fan of Thin Lizzy 50 years ago, in November 1975. Phil Lynott referred to fans as “supporters”, an apt term given Lizzy were followed with a level of partisan fervour generally reserved for football teams. And they were on a sharp upward curve.This set covers 1974 to 1975, including remasters of Nightlife and Fighting, demos, alt takes, remixes, and live performances. It’s the origin story of the classic “twin lead guitar attack” lineup, driven by pugnacious Glaswegian Brian Robertson and laid-back Californian Scott Gorham. This is a band in transition, a good band Read more ...
Guy Oddy
In the main, it could be assumed that Snarky Puppy’s bandleader, Michael League sleeps soundly in his bed every night. For sure, his band’s latest collaboration with Jules Buckley’s Metropole Orkest focuses on the land of dreams and is a generally calming soundtrack for drifting pleasantly into the arms of Morpheus.That is, apart from the unsettling and somewhat disorientating “Chimera”. Alone among the tunes on Somni, it’s anything but relaxed and seductive. This rather forceful track could be an imaginary collaboration between Bristol’s post-jazzers, Get The Blessing and Charles Mingus’ Read more ...
Guy Oddy
This week, UK electronica originals Cabaret Voltaire hit Birmingham on their penultimate tour before they finally put their synthesizers into storage and call it quits this time next year. For a band that have been going (on and off) since 1973, however, they were seriously on fire – with no suggestion that they should be considering permanent retirement any time soon.Richard H Kirk may have passed away in 2021, but Stephen Mallinder and Chris Watson, who had both left the fold more than 30 years ago, put on a fine show and paid tribute to their fallen comrade early in the proceedings. Read more ...
Mark Kidel
Keaton Henson is a master of dark introspection and unashamed vulnerability, a 21st century manifestation of what used to be called bed-sit blues. There isn’t a shred of extrovert joy in his latest album, where he explores, with forensic authenticity and a gift for poetic lyrics, a miasma of self-doubt, regret and resignation. “Don’t I just know how to fuck things up” he sings, almost mantra-like. It’s very British, this gentle and almost whimsical self-deprecation, but unless you’re seeking a homeopathic remedy – in which like cures like – for you own despair, this might be an album to Read more ...
Kieron Tyler
Strings swirl. A flute drifts like a bird floating on warm air. The melody is subdued, its tonality evoking The Smiths’ “Please, Please, Please, Let me Get What I Want.” A wistful, French-accented voice sings “I’ve always been so cruel, Hard on myself, You say I’m just a fool, Trying to be somebody else.” Mood set with opening track “Bluer Than Blue,” How and Why subsequently showcases nine more similarly moody, acoustic-centred songs.The dreamy, slightly husky, voice is recognisable. Since 2003, Mélanie Pain has been a main vocalist with France’s Nouvelle Vague, Marc Collin and Olivier Read more ...
Sebastian Scotney
Barbra Streisand has given her blessing to Where We Fall (Backwards Dog Records), an album of six covers and five original songs. She wrote to her 1.8 million Instagram followers: "[Jason] just gave me his new album […] and it stopped me in my tracks. His sound, his soul, his musicality. I’m sooo proud to be his mama!" Streisand’s son Jason Gould is also the "true" son of Elliott Gould – as opposed to Ross and Monica from Friends, who are merely his fictional children in his role of Jack Geller, a "pater simulatus" with enduring celebrity status in his own right.
There you have it: at Read more ...
Kieron Tyler
Leisure Process issued four singles between March 1982 and May 1983. Signed to Epic Records, the electropop-inclined duo was primed for success. Debut 45 “Love Cascade” was Radio 1 DJ Peter Powell’s record of the week. At the other end of the coolness spectrum, John Peel also played the single. A Leisure Process Peel session was recorded on 10 March 1982.Another factor feeding into the perception Leisure Process was ready for take off was the identity of their producer: Martin Rushent. He was integral to shaping British pop of the period. His work with Altered Images, The Human League and Read more ...