New music
Jasper Rees
The Kinks have turned 50 last and nagging talk of a reunion is still in the ether. In the absence of the real thing, there is a double-disc greatest hits album surfing the wave of latter-day Kinksmania. Meanwhile a kind of Kinks reunion stormed the West End in the shape of Sunny Afternoon, written by playwright Joe Penhall from an original story by Ray Davies.Taking the band’s glorious songbook as its soundtrack, the musical follows the Kinks from their first number one “You Really Got Me” through to the end of the 1960s when they were allowed back into America after a four-year ban caused by Read more ...
Kieron Tyler
 Georgie Fame: The Whole World’s Shaking – The Complete Recordings 1963–1966Last month, theartsdesk’s Reissue CDs Weekly tackled a collection of albums by Faces which, despite great remastered sound and noteworthy bonus tracks, was a thoughtless, cheapo package ill-befitting a band of such popularity and status. This splendid new Georgie Fame box set is exactly the sort of thing the Faces release could and should have been.The meat of The Whole World’s Shaking – The Complete Recordings 1963–1966 is Fame’s four albums from the period: Rhythm and Blues at the Flamingo, Fame at Last, Sweet Read more ...
Katie Colombus
In terms of musical gravitas, style and general swag, Peter Andre ain’t no Frank Sinatra. He’s not even a Michael Bublé, but like Strictly Come Dancing in which the pop star is currently appearing (and which, by superfluous marketing cohesion, this album is released alongside), Come Fly With Me kind of sweeps you up and bounces you around a bit. Like a shop-bought cocktail from a squeezy metallic pouch, it's sweet and slightly fake, but it does the job.With all the very best tunes to watch girls go by – "Fly Me To The Moon", "I’ve Got You Under My Skin", "Come Fly With Me", "Mack The Read more ...
Barney Harsent
Coming to this, the second album from big-voiced, baby-faced David Gahan lookalike John Newman, I was keen to see how he’d progressed. After the occasionally satisfying blend of old soul and new production on Tribute, would Revolve allow him to evolve and perhaps hone his sound further?Not really, is the answer. His voice is great – let’s get that out of the way from the off. No complaints there, the voice can stay. However, having pulled in Greg Kurstin to work on his follow-up, the result is an album that has more to do with the incessant, pummeling and exhausting day-glo colours of Katy Read more ...
theartsdesk
Not just a mere rock star but spiritual guru, peace campaigner, political icon, thorn in the flesh of Richard Nixon and the CIA, and ultimately martyr. John Lennon, who would have been 75 today (9 October), has proved an impossible act to follow. Even his former songwriting partner Paul McCartney, who's hardly been deprived of adulation over the last few decades, can't get over the fact that Lennon has achieved that mythic status known only to a rarefied handful. "The fact that he's now martyred has elevated him to a James Dean, and beyond," Macca moped in a recent Esquire interview. We can Read more ...
Matthew Wright
Fashions in art and music come and go in less time than it takes to read a Buzzfeed list. So there was something uncannily satisfying about star pianist Alan Broadbent’s admission that he’s been working on last night’s collection of entirely new songs for the past 50 years. He and Georgia Mancio showed last night at the Watermill – a popular, ambitious club whose extensive programme belies its suburban location at the social club of insurance firm Aviva – how with the highest standards of skill and craft it’s possible to create something completely new within a respected musical tradition. Read more ...
Mark Kidel
Athens, 1987: Youssou N'Dour opens for Peter Gabriel on a world tour. It's a wonder – and to his credit – that the British rock star should dare follow such a powerful performance. Few bands at the time could produce such a seductively joyful sound.Dakar's super-talent hadn't yet succombed to the lure of international audiences. Although he'd begun to move away from the explosive party music of the lengthy grand bals with which he would entertain Senegalese audiences for three to four hours, he was still wholeheartedly true to his roots: the unique combination of African and Afro-Cuban Read more ...
Barney Harsent
The three-toed sloth moves at a maximum – that’s maximum – of 10 feet per minute. It’s thought to be the slowest animal in the world. While on a train hugging the north Kent coast however, I reckon I could give it a, figurative, run for its money. I’m on my way to a tiny venue in Ramsgate to see understated US rock band Sebadoh, whose album count is in double figures, on a tour that will see them joining Lemonheads in London for a high-profile gig. Well, at least that’s the plan.Jump forward about three hours and I’m in the back of a cab speeding towards home with a massive grin on my face Read more ...
Guy Oddy
“It’s good to be back in fucking Birmingham, but come a bit closer and let’s pretend it’s a rock ‘n’ roll gig,” called frontman Jim Jones from the stage of the Rainbow, before bursting into the swampy blues of “Aldecide”. The audience needed no other invitations and pushed towards the stage to drink up the Righteous Mind’s primal groove.Jim Jones is a brave man. Every few years he pulls the plug on his band, gets together a new like-minded group and starts from scratch. Having called an end to the mighty Jim Jones Revue in 2014, he’s back with new combo The Righteous Mind and a set of all new Read more ...
Matthew Wright
For a band that makes such a vivid and irresistibly danceable sound, Caravan Palace’s ascent – ten years and three albums now – has been a stealthy one, built on the traditional virtues of word-of-mouth, and selling out gigs. On paper, combining traditional “hot” jazz, the dance music of the 1950s, with the sleek hedonism of electronic dance music seems both unlikely and unpalatable. On stage, and on record, it’s a riot.Grooving, syncopated rhythm and the slick, acoustic sound of brass and violin were what made the original music such a dance sensation. Adding the limb-twitching Read more ...
Joe Muggs
The Mule Musiq family of labels, from Tokyo, is one of the great secret goldmines of the dance music world. The house, disco, techno and ambient music they put out from top worldwide producers can very often be tasteful to the point of innocuousness on the surface but, perhaps in keeping with the Japanese sense of wabi-sabi, when given your time and attention it almost invariably reveals hidden beauty that make their releases ones you can come back to over the years.This album, however, seems the diametric opposite of their usual approach. It is, more or less, a jazz fusion record, but one Read more ...
Guy Oddy
Considering that they have never been known for their sartorial elegance, Squeeze are looking pretty smart and stylish these days. Band leaders Chris Difford and Glenn Tilbrook took to the stage in Birmingham looking especially dapper, with Tilbrook looking like he’d just walked off the set of Miami Vice in his pink suit. This was matched by a slick set with a video screen that showed what were more like short films for each song than the usual concert projections, making it clear that while they might be veterans, Squeeze were still going to put on a show.But first up was the legendary Dr Read more ...