Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Abigail Lapell - Anniversary

An engaging - if doleful - set from the Canadian folk-Americana singer

share this article

Blue

Anniversary is Canadian singer-songwriter Abigail Lapell’s sixth album (if we include last year’s lengthy EP of lullabies). Her success has not reached much beyond her native land, as is often the way with Canadian acts, but she’s a proven talent, one who deserves a higher international profile. Anniversary consists of 11 poetic folk-country meditations on love. However, anyone seeking musical representations of euphoria, joy and lust should look elsewhere for, lovely as it often is, the default setting here is a rich melancholia.

The album is co-produced by her countryman Tony Dekker, of slightly better-know indie-folkers Great Lake Swimmers, who appear on three songs, but the whole is of-a-piece and very much Lapell’s vision. The love that’s sung of is either wistful longing for one not there - possibly never even consummated? – or the loss of someone who has died. One song, the ploddy but epic “Footsteps”, even seems to be about the ghost of a loved one visiting. It’s a rustic, small-scale piece but one could imagine it repurposed on a stadium lighter-waving scale by Celine Dion.

There are delicious songs that light the path along the way. The honkytonk blues of “Blue Blaze” is a treat, akin to something of Exile on Main Street; closer “Stars” is a tender, gorgeous love song, for once for someone available and present (“There is no place I’d rather be, nothing I would rather do/Than to hold you tight on an August night and count the stars with you”); both “Rattlesnake” and “Flowers in My Hair” are clap-rhythmed, part-song square dances, filtered through a shuffly folk gothic; “Blue Electric Skies” is a strummed cowboy ballad assailed by a theremin-wind-whistle sadness. And there are more.

On a first few listens, I’d suggest Anniversary’s persistent slo’mo’ moodiness would benefit from an injection of vitality, even jollity. The lyrics are, after all, often energized and urgent (check out “Wait Up” whose opening couplet is “I was a cold-hearted bastard with a gunmetal grin/You were a natural disaster, rattling the door ‘til I let you in”). But it’s also quite possible this is a grower, blossoming within its own doleful idiom.

Below: Watch the video for "Flowers in My Hair" by Abigail Lapell featuring Great Lake Swimmers

11 poetic meditations on love, but those seeking euphoria, joy and lust should look elsewhere

rating

3

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat