Album: Hodge - Shadows in Blue

Bristol techno-dub mainstay releases his first album a full decade into his career

share this article

'Shadows in Blue': 'huge charm and good humour'

For underground music producers, there almost always comes a phase in life when they accept they're no longer young guns and embrace either massively complicated synthesisers, floaty new age music, or both. For Bristol-based Jake Martin aka Hodge it's the latter. This, his debut album after a decade releasing a couple of dozen EPs on connoisseurs' favourite labels and DJing around the world, has all the signifiers. Rainfall, tropical bird sounds, breathy synth tones in rising patterns, huge reverbs on tiny sounds... yes, even things that sound like panpipes: it's all there. From the hippie pseudo-ashrams of the 70s and 80s to the rave chillout rooms of the 90s, it's extremely familiar stuff.

It would almost feel parodic if it weren't for a couple of things. First, it's not actually a huge departure for Hodge. You can go right back to early breakthrough tracks like 2013's “Bells”, a collaboration with fellow Bristol mainstay Tom “Peverelist” Ford, and hear, if not the nature samples, then certainly the melodic lushness and love of warm synths running through the dubstep-techno hybrids – and these run right through his work, even if sometimes they're sublimated into sparser sounds. And second, it's done with huge charm and good humour.

Even the titles – “The World Is New Again”, “Canopy Sky”, “Sense Inversion” – are full-on new age cliché, yet somehow they feel entirely sincere, and so does the music. And there's a constant edge of invention in it, as in the almost beatless “Sol” which has just a hint of discord and a real emotional punch in the deep cello-like notes that cut in abruptly, or “Ghosts of Akina (Rainbow Edition)” which brings hardcore rave beats and distortion into the rippling cosmic arpeggios. The natural groove that permeates Hodge's club-oriented work to date is always present, whether ghostly or hyper-present, and though the flagrant retroism may tempt you to think you've heard this all before, in fact these tracks will constantly surprise you even as they're worming their way into your affections.

@joemuggs

Watch "Shadows in Blue":

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
From the hippie pseudo-ashrams of the 70s and 80s to the rave chillout rooms of the 90s, it's extremely familiar stuff

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction