Album: Jono McCleery - Moonlit Parade

Warm, intimate songs that pull you close from the young English singer-songwriter

Jono McCleery has one of those voices that once heard, demands your attention, an instrument of richness and depth, and one that has earned him many fans. The likes of Vashti Bunyan and Tom Robinson helped to crowdfund his recording debut back in 2008, Darkest Light; he steered himself through London’s eclectic electro-acoustic underground music scene alongside the likes of Jamie Woon and the Portico Quartet, and released four more folktronic-textured releases with Ninja Tune.

His sixth album, on the Berlin-based Ninety Days Records, was recorded in early 2021, over five days in Rotterdam, where McCleery currently lives, with bassist Dan Gulino, Steve Pringle on keys, and drummer Dan See. McCleery himself leads on guitar and there’s a strong acoustic slant to the set, which leads off into the intimate spaces that songs throw up between singer and listener, his calm, softly melancholic voice mapping the way through limpid, reflective songs set against the gentlest of backings – predominantly his own acoustic guitar, and some fine piano work from Steve Pringle.

The titles are simple and direct - “Now and Here”, “From a Place”, “A Thing”, “What If”, “The Heart of Another” - and there’s a uniformity of approach, performance and lyricism that makes this compact, 39-minute set a cohesive, intimate, warm and emotionally calming album. Title Track “Moonlit Parade” is buoyed by limpid, shimmering keyboard lines, while second single and album opener “Walk With Me” combines that striking voice with gentle depth-charges of electric keys and the tacking of McCleery’s acoustic finger-picking against a skipping drum pattern from Dan See. You feel that tangible sense of human closeness and warmth rising off these tracks, inspired and fuelled by its absence through the long pandemic and ist lockdowns. These are songs all about opening up.

@CummingTim

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
There’s a strong acoustic slant to this set, which leads off into the intimate spaces that songs throw up between singer and listener

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production