Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Miranda Lambert - Postcards From Texas

On her ninth solo album, the US country star is still on peak songwriting form

share this article

Don't mess with Texas

Miranda Lambert is one of those country stars who’s massive in the States but no-one’s heard of this side of the Atlantic. Famous since her early twenties, she’s had a quarter century career, encompassing seven Top Five US albums, including one chart-topper, as well as parallel success as part of trio Pistol Annies. But the most she’s troubled the British album charts is reaching No.52 a decade ago. This is a shame as she’s talented and sassy and her new album is a treat.

Lambert’s songwriting chops derive from the best country traditions of storytelling, southern wit and chewy wordage, unafraid of humour but equally willing to embrace sentiment. Very much in the vein of Dolly Parton, she inhabits an empowered, don’t-give-a-damn feminine persona, whether on the leery, self-explanatory “Bitch on the Sauce (Just Drunk)” or the steel guitar-laced lovelorn nostalgia of “Looking Back on Luckenbach”. As the title implies, she’s big on her no-bull Texan persona.

Musically, it’s untrammelled country’n’western with a tiny pinch of Swiftian pop suss. She utilises plenty of trad instrumentation, but isn’t a studied retro reveller in the vein of, say, Molly Tuttle. She’s also not afraid of adding rock guitar heft to proceedings, as on the sturdy wronged-woman single “Wranglers”.

The short of it is that Postcards From Texas is just a great listen. 14 songs that offer a varied, literate and entertaining feast. Even on the power ballad-esque on likes of “Run”, I was invested enough in Lambert to hang in and enjoy the ride. The songs zing back’n’forth between everything from the delicious strummed love ruminations of “Way Too Good at Breaking my Heart” to the roadhouse honkytonk “Alimony” (“What’s mine is mine and what’s yours is mine/So go on, baby, have a real good time/I’ll be countin’ the dollars, you’ll be rollin’ the dimes/Freedom don’t come free”!).

Quite apart from all the above, she wears a cowboy hat excellently! With that and the music and the look she’s adopted for the video below, well, what more could anyone ask for?

Below: Watch the video for "Wranglers" by Miranda Lambert

 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Very much in the tradition of Dolly Parton, she inhabits an empowered, don’t-give-a-damn feminine persona

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed