Album: Willie Nelson - The Willie Nelson Family

God's own country music

share this article

Country music and the Lord: an easy relationship

The Outlaw meets Jesus, at least on CD. The Willie Nelson Family finds The Red Headed Stranger singing some of country-gospel’s most celebrated songs, including Hank Williams’ “I Saw the Light”. It’s his second album of 2021 – the first, That’s Life, released in February, was a beguiling collection of Frank Sinatra covers.

Willie Nelson will turn 90 next April, and doubtless like most folks his age his thoughts turn to the day he will meet his Maker. But whatever your age, God is never far away from country music – sung about as one of the family. And that easy relationship is what gives albums such as this their appeal. The music is not cloying or super-reverential, as "Keep It On the Sunnyside" by the great A P Carter amply demonstrates. God is simply part of the conversation. Dolly Parton likes to say she talks to him all the time but she’s not sure he always listens! It’s kind of casual.

Five of the songs are Nelson’s own, including “I Thought About You, Lord” and “Too Sick to Pray”. He revisits “The Family Bible” recorded originally in 1971 on Yesterday’s Wine, and long a concert staple. The song is still sometimes credited to Claude Gray, Paul Buskirk & Walt Breelan to whom Nelson sold it in 1957 for just $10!  

For me the album’s highlight is “All Things Must Pass”, the title track from George Harrison’s first solo post-Beatles album. Son Lukas Nelson takes the lead vocal, his distinctive clear tenor carrying the song aloft, the harmonies perfect. A wonderful reminder that there’s much more to Harrison than “Something” and “Here Comes the Sun”.

Kris Kristofferson’s “Why Me Lord”, often seen as a plea for redemption by the man who wrote “Sunday Morning Coming Down” – indeed, it's really the mirror image of that song – is a magnificently understated closer to the album.

In addition to Lukas, Nelson is joined by sister Bobbi, son Micah, daughters Paula and Amy Nelson, plus longtime bandmates Mickey Raphael, Billy English, Kevin Smith, and Paul Smith. The latter was Nelson’s drummer – the two men had played together since 1955. He died last year aged 87, and four tracks on The Willie Nelson Family, including "Laying My Burdens Down", another Nelson composition, are among the last recordings the two men made together.

It's a warm and comforting album that requires belief in no deity to appreciate it. Just the Nelson family making great music together. Genuine, no frills. Let’s hope Willie doesn’t get called aloft just yet.

Liz Thomson's website

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
God is simply part of the conversation

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction