CD: Best Coast - The Only Place | reviews, news & interviews
CD: Best Coast - The Only Place
CD: Best Coast - The Only Place
California duo keep things simple on their sunny sophomore release

Any concerns that Best Coast might have abandoned the sun-kissed California scuzz-pop sound that made their 2010 debut, Crazy For You, such a runaway success are answered in its opening - and title - track. “So leave your coat behind / We’re gonna make it to the beach on time,” Bethany Cosentino sings, and I sigh from a rainy Glasgow attic and keep on waiting for summer.
It’s a little simplistic to call The Only Place a rehash, so perhaps in deference to producer Jon Brion we could call it a sequel. The album is full of the things that have always made Best Coast great - short, simple songs packed with hooks and heartbreak and Sixties girl group harmonies - but without the scuzzy, amateur production that was their debut’s signature. With that gone, everything seems bigger and brighter.
Brion, now as well known for the scores that subtly underpin indie hits like Eternal Sunshine of the Spotless Mind as for production credits with artists as diverse as Kanye West and Fiona Apple, plays to Cosentino’s skills as a great pop songwriter without robbing her work and that of multi-instrumentalist Bobb Bruno of its lo-fi charm. In fact the cleaner sound allows Cosentino’s extraordinary voice to soar in a way it’s never really gotten the chance to before, lending a depth to lyrics that could otherwise run the risk of sounding like they've been adapted from the scrawls in a teenage girl’s diary.
Lyrically there isn’t a massive thematic shift in Cosentino’s concerns. Although the title track is a love song to the duo’s native California, for most of the rest of the album the central questions are either ones of self-identity or of a slightly melodramatic romantic longing for the sort of boy who only ever leaves the singer crying at the other end of the phone. Although the vocals, on “No One Like You” in particular, sell the second of these themes far more convincingly than is probably deserved, it's the former that proves more fascinating. Songs like “Better Girl” and album standout “How You Want Me to Be” show a songwriter who has ditched the valley girl brattiness and is standing on the cusp of adulthood - perhaps with little idea yet, but confident enough to know that will come in time.
Listen to "The Only Place" 
rating
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
 Cat Burns finds 'How to Be Human' but maybe not her own sound
  
  
    
      A charming and distinctive voice stifled by generic production
  
  
    
      Cat Burns finds 'How to Be Human' but maybe not her own sound
  
  
    
      A charming and distinctive voice stifled by generic production
  
     Todd Rundgren, London Palladium review - bold, soul-inclined makeover charms and enthrals 
  
  
    
      The wizard confirms why he is a true star
  
  
    
      Todd Rundgren, London Palladium review - bold, soul-inclined makeover charms and enthrals 
  
  
    
      The wizard confirms why he is a true star
  
     It’s back to the beginning for the latest Dylan Bootleg
  
  
    
      Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
  
  
    
      It’s back to the beginning for the latest Dylan Bootleg
  
  
    
      Eight CDs encompass Dylan’s earliest recordings up to his first major-league concert
  
     Ireland's Hilary Woods casts a hypnotic spell with 'Night CRIÚ'
  
  
    
      The former bassist of the grunge-leaning trio JJ72 embraces the spectral
  
  
    
      Ireland's Hilary Woods casts a hypnotic spell with 'Night CRIÚ'
  
  
    
      The former bassist of the grunge-leaning trio JJ72 embraces the spectral
  
     Lily Allen's 'West End Girl' offers a bloody, broken view into the wreckage of her marriage
  
  
    
      Singer's return after seven years away from music is autofiction in the brutally raw
  
  
    
      Lily Allen's 'West End Girl' offers a bloody, broken view into the wreckage of her marriage
  
  
    
      Singer's return after seven years away from music is autofiction in the brutally raw
  
     Music Reissues Weekly: Joe Meek - A Curious Mind
  
  
    
      How the maverick Sixties producer’s preoccupations influenced his creations
  
  
    
      Music Reissues Weekly: Joe Meek - A Curious Mind
  
  
    
      How the maverick Sixties producer’s preoccupations influenced his creations
  
     Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol
  
  
    
      PWEI hit home turf and blow the place up
  
  
    
      Pop Will Eat Itself, O2 Institute, Birmingham review - Poppies are back on patrol
  
  
    
      PWEI hit home turf and blow the place up
  
     'Fevereaten' sees gothic punk-metallers Witch Fever revel in atmospheric paganist raging
  
  
    
      Second album from heavy-riffing quartet expands sonically on their debut
  
  
    
      'Fevereaten' sees gothic punk-metallers Witch Fever revel in atmospheric paganist raging
  
  
    
      Second album from heavy-riffing quartet expands sonically on their debut
  
     theartsdesk Q&A: Soft Cell
  
  
    
      Upon the untimely passing of Dave Ball we revisit our September 2018 Soft Cell interview
  
  
    
      theartsdesk Q&A: Soft Cell
  
  
    
      Upon the untimely passing of Dave Ball we revisit our September 2018 Soft Cell interview
  
     Demi Lovato's ninth album, 'It's Not That Deep', goes for a frolic on the dancefloor
  
  
    
      US pop icon's latest is full of unpretentious pop-club bangers
  
  
    
      Demi Lovato's ninth album, 'It's Not That Deep', goes for a frolic on the dancefloor
  
  
    
      US pop icon's latest is full of unpretentious pop-club bangers
  
     Yazmin Lacey confirms her place in a vital soul movement with 'Teal Dreams' 
  
  
    
      Intimacy and rich poetry on UK soul star's second LP
  
  
    
      Yazmin Lacey confirms her place in a vital soul movement with 'Teal Dreams' 
  
  
    
      Intimacy and rich poetry on UK soul star's second LP
  
     Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd
  
  
    
      Psychedelic indie dance music marinated in swirling dry ice
  
  
    
      Solar Eyes, Hare & Hounds, Birmingham review - local lads lay down some new tunes for a home crowd
  
  
    
      Psychedelic indie dance music marinated in swirling dry ice
  
    
Add comment