Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Big Narstie - BDL Bipolar

Upcoming entertainment star with a colourful variety album

share this article

Big Narstie: heart of gold

The Bass Defence League campaigns for mental health. As with everything Big Narstie does, there are serious points in this release wedged next to the broadest comedy, and it’s no coincidence, as we learn from the vivid parody of “BDL Protest” intro skit, that BDL is only a letter away from EDL. An influential presence in grime for over a decade, it’s a surprise to note that this is his first full album. Then again, Narstie is so busy being YouTube agony star Uncle Pain, or chewing the fat with Andrew Neil and Piers Morgan, it’s amazing he’s a musician at all.

Narstie makes the most of his profile to entice a sparkly range of collaborators into an exuberant variety show of an album. Ed Sheeran proves himself to be a technically effective, if not very charismatic rapper, on “Hello Hi 2”, while Craig David hymns an inspirational grime anthem, one of several songs to celebrate the impressive rise of Narstie and many of his collaborators from a tough start in life. Another feature of the collaborators is an impressive musical and geographical range, from Scouse Tremz to Shizzio and Panjabi MC, while Zimbabwean singer Takura joins in on “Blood”, the last and most heartfelt track, a stream-of-consciousness pledge to Narstie’s daughter. There are also hardcore BDL zingers like “Woah” to keep the fanbase enthused.

If you can live with the ever-present sense of madcap bustle, it’s irresistible

A versatile performer across many areas of entertainment, Narstie is fast becoming Brixton’s answer to Will Smith, and as he begins hosting his Channel 4 entertainment show with comedian Mo Gilligan, the big time awaits. Beyond Craig and Sheeran, there are some niche collaborators on the shorter skits and gags, and listeners need to be familiar with them, and get along with a structure that is as much sketch comedy as grime album. The humour of the skits is a bit uneven, and the album might flow better with fewer, though undoubtedly they will have an enthusiastic audience somewhere. The overall effect is of Narstie himself, writ even larger. If you can live with the ever-present sense of madcap bustle, it’s irresistible.

@matthewwrighter

Narstie is fast becoming Brixton’s answer to Will Smith

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk