CD: Calexico and Iron & Wine - Years to Burn

Renewal of the partnership between Americana stalwarts offers few surprises

share this article

Calexico and Iron & Wine’s ‘Years to Burn’: familiar

Anyone familiar with Calexico and Iron & Wine will be unsurprised by Years to Burn. The 32-minute album (one track of which is a short instrumental) showcases lilting, mid-paced, reflective, country tinged and acoustic-bedded songs fleshed out with piano and Mexican-styled brass. The strongest are those where the up-front vocal blend conjures Simon & Garfunkel (“Midnight Sun”) and CSNY (“The Bitter Suite”). Furthermore, the mostly Spanish-language “The Bitter Suite” is the album’s most striking track. A portmanteau composition, it resonates with the impressionistic approach colouring David Crosby’s If I Could Only Remember my Name.

Years to Burn arrives 18 months after the last Calexico album, the energised but sprawling The Thread That Keeps Us. For Iron & Wine, it’s the follow-up to August 2017’s stripped-back, unsatisfyingly prototypical Beast Epic. Recorded in December last year, Years to Burn revisits a musical collaboration first heard on the 2005 EP In the Reins, which continued with a joint cover of Dylan’s “Dark Eyes” for the 2007 I’m Not There film and, in the same year, Calexico’s Joey Burns guesting on the Iron & Wine album The Shepherd's Dog.

In Years to Burn’s press release, Sam Beam (who is Iron & Wine) says “coming back to the [collaborative] project has to do with acknowledging how much impact In the Reins had for me in my life.” While that raised Beam’s profile, it does not say why the partnership has been renewed after so long. Calexico’s John Covertino says “This project had to find the right time. It’s a chance to see where we’re at, take stock and be there for our friends.” Perhaps completing unfinished business also offered a chance to revisit musical comfort zones.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Making 'Years to Burn' offered a chance to revisit musical comfort zones

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time