Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Kel Assouf - Tikounen

The Tuareg desert rock sound gets its most stylistically diverse exponents to date

share this article

'Tikounen' - the title translates as 'Surprise', and a surprise is what it is

When the Tuareg band Tinariwen first started to come to prominence a decade or so ago, world music purists tried to lay claim that they were purveyors of what they called "desert blues". The reason being, presumably, that the blues in their blinkered eyes was a purer, more authentic form than rock (which was what Tinariwen were really all about). But having said that, Tinariwen sound like Tanita Tikaram compared to parts of this second album from fellow Saharan desert rockers Kel Assouf (who feature Tinariwen guitarist and singer Anana Harouna). The title translates as "Surprise" and a surprise is what it is, after their more laidback 2010 debut Tin Hinane.

Things get off to a spirited start with the throbbing uptempo "Ahile Lamma" which features award-winning actress Toulou Kiki on lead vocals. In fact, when Ms Kiki features on other tracks, either as lead vocalist or part of a call-and-response arrangement, I’m reminded of how Tuareg desert rock sounds better when there’s a female vocalist riding those curlicues of intertwining guitars.

But it’s the diversity of material here that also impresses. "Toumast" has an ominous predatory quality like the best 1970s heavy rock, whereas "Lab" is all space, just the slow pulse of a resonant hand drum and some muted fragments of blues guitar that gradually blossom into a sublime solo. And then there’s "Europa", which is driven by the kind of stop-start heavy guitar riffs that Led Zeppelin themselves would have been proud to have had in their arsenal. This is my favourite desert rock album since the Justin Adams-produced Aman Iman: Water Is Life by, yes, Tinariwen.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Tuareg desert rock sounds better when there’s a female vocalist riding those curlicues of intertwining guitars

rating

4

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat