CD: Paul Van Dyk - Evolution

German trance emperor still leads from the front

share this article

Van Dyk's sixth tentatively posits a Michael Schenker Group-style logo

Berlin’s Paul Van Dyk has remained in or around the top ten of DJ Magazine’s defining annual poll of the top 100 DJs in the world for at least a decade, occasionally making the number one spot. Unlike all others in the current top 20, however, he’s the only one with a pedigree going back to contemporary club music’s roots. As Visions of Shiva at the dawn on the Nineties Van Dyk can claim to be one of the inventors of trance music, the style that, alongside recent dubstep developments, is at the root of massive American interest in what they laughably term “EDM” (electronic dance music). Later in the decade he consolidated his popularity - during the Gatecrasher era - and has remained at the top ever since, as a DJ, producer of five previous albums, and MD of the Vandit label.

Perversely, like all trance sorts, Van Dyk plays down the trance thing, reckoning it belittles him. However, trance made him and it’s trance he’s still best at. Trance never really changes, except in the manner the technology to make it improves. Its euphoria-raising lush classical keyboard sequences, swimming amidst attacking kick drums, remain a sweet entry point to the rave experience. Van Dyk hits the buttons, delivering perhaps his best album. Nothing feels forced, there are no awful electro-rock outings or hook-ups with unsuitable artists from other genres (the nearest is with US electro-pop act Owl City). Instead he gathers his Vandit mates around for plenty of 3.00 AM action alongside unexpectedly delicious songs such as “I Don’t Deserve You”, featuring US singer Plumb whose voice recalls Sinead O’Connor. There are curveballs such as the twitchy “Rock This” or jazzy prog-house of “If You Want My Love”, but they're enjoyable and nothing derails the train.

By day Paul Van Dyk is a socially engaged individual, completely drug-free, who occasionally appears on the German equivalent of Newsnight discussing political issues, yet somehow he keeps his hand in; the nightworld remains righteously nailed. Good on him.

Watch the video for "Verano" (featuring Austin Leeds)

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Van Dyk is a socially engaged individual, completely drug-free, who occasionally appears on the German equivalent of Newsnight, yet somehow he keeps his hand in

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together