CD: Robbie Williams – The Christmas Present

A saccharine concoction served up with lashings of cheese

share this article

Here’s some Christmas cheer for you – Robbie Williams now ties Elvis for the most number ones in a solo career. Take that in (pun intended). While there was a fleeting moment in the late Nineties when he could do no wrong, chart-wise, Mr Williams seems happy to take the caricature to the max.

Do we really need yet another version of "Winter Wonderland", or the "Christmas Song", or "Let it Snow"? And do we need them to come with a thick icing of smarm, as deep as only Robbie (sly wink, cheeky grin) Williams can serve up? Here’s hoping that Noddy Holder hasn’t heard this big-band-style massacring of "Merry Xmas Everybody" – a duet with Jamie Cullum no less. Complete with cheesy "Merry Christmas, mate" exchange in the fade out. Pass me the Pepto-Bismol, pronto.

But worry not – it’s not just dubious re-hashes on this double album. There are new tunes, too, including the duet with Tyson Fury – "Bad Sharon" – a Poundland Peter Kay money-spinner, tipped for the top – and "Coco’s Christmas Lullaby" (Robbie’s a dad!). The line "everything’s so overpriced, like Justin Bieber’s merchandise, Happy Christmas Jesus Christ," sums up the whole sorry affair.

He wheels out many of his showbiz friends including Rod Stewart, Bryan Adams and Helene Fischer (cracking the Russian/German market there). Sadly, the one song written by Williams and Guy Chambers – "The Best Christmas Ever" – summons none of the pure pop magic of "Angels" or "Let Me Entertain You".

Every cliché is covered. All the boxes ticked (including a duet with his dad, of course). It’s exactly what you’d expect from the "Fat Dancer" but for those who love the cheeky chappie, it’s the perfect present.

@kathrynsreilly 

Add comment

The content of this field is kept private and will not be shown publicly.
Every cliché is covered

rating

1

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

The undeniable force of a musical original shows signs of wear
A set which wittily lacerates old loves and celebrates new confidence
Celebration of first-rate but obscure Chicago soul
One of the world's most successful pop stars reappears with more unhelpful dross
Calming and atmospheric desert blues is defiant in the face of oppression
Two live, unhurried, and quietly revelatory 20-minute explorations
What starting again after 14 years looks like
Echoes of the Fab Four in songs of love and loss
The tangled musical legacy of one of San Francisco’s great Sixties bands