wed 27/11/2024

CD: The Twilight Sad - Nobody Wants To Be Here and Nobody Wants To Leave | reviews, news & interviews

CD: The Twilight Sad - Nobody Wants To Be Here and Nobody Wants To Leave

CD: The Twilight Sad - Nobody Wants To Be Here and Nobody Wants To Leave

Scottish indie band's misery is appealingly well-groomed

The Twilight Sad: 'There’s just a hint that this is not ordinary misery, but misery packaged in a wee tartan gift box'

You wonder what gets them out of bed. After more than a decade together, and with this, their fourth album, just released, The Twilight Sad must be feeling very miserable. The odd thing is, they seem to revel in their misery. “Scottish band who enjoy drinking & making miserable music,” says The Twilight Sad’s Twitter profile. “Enjoy” and “miserable” are key. They have taken shoe-gazing mournfulness to a new level of craftsmanship.

This time, it’s more enjoyable than ever, but you can’t help feeling it’s a bit less spontaneous. There’s just a hint that this is not ordinary misery, but misery packaged in a wee tartan gift box.  

It’s an easily recognisable sound. At first there’s the rumbly reverb, as if you’re standing in the corner of a large warehouse, in which a noisy, retro industrial process is taking place. Then there’s some juicy synth, throbbing guitar chords, perhaps a touch of tambourine, with some nicely crafted, occasionally witty lyrics over the top. The Sad lads apparently have a problem with relationships. “She’s not coming back,” sings James Graham on the first track, “There’s a Girl in the Corner”. She probably felt jealous of his shoes, which would have received far more eye contact than she did. But it’s more serious. “She keeps on calling me telling me where to go,” he sings on “I Could Give You All That You Don't Want”.

“Drown So I Can Watch” sums up the album’s appeal. “I put you through hell, but you carry it so well,” Graham rhymes, rather cutely. Once the message is conveyed, the guitar melody is twined together with samples of Graham’s voice in a passage of meditative loveliness. And this is where it loses credibility as misery music. People who are really unhappy don’t bother with the tricksy craft, they tell it straight, as The Twilight Sad did on earlier albums. Which is why this feels like the work of a band who enjoy being thought miserable rather than one that is plain depressed. It’s very engaging music, all the same. Enjoy.

They have taken shoe-gazing mournfulness to a new level of craftsmanship

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters