Fever: Little Willie John and the Birth of Soul

Because Little Willie John died a lonely death in a Washington state prison cell in 1968, much of the baby boom generation grew up only half-knowing who he was. You’d occasionally hear that effervescent but distant voice on the radio, buried by overdubbed strings on the 1960 pop hit “Sleep”. Or maybe you’d hear a snippet of his lovestruck tenor on the torchy 1958 ballad “Talk to Me, Talk to Me”, played as an oldie on the radio. Even by the early Sixties, less than a decade after he hit big as a teenager in 1955 with the R'n'B classic “All Around the World”, Willie’s status as one of the top male R'n'B stars had been eclipsed by his acolyte, James Brown, thanks to JB’s brilliant 1963 album Live at the Apollo.

Because Little Willie John died a lonely death in a Washington state prison cell in 1968, much of the baby boom generation grew up only half-knowing who he was. You’d occasionally hear that effervescent but distant voice on the radio, buried by overdubbed strings on the 1960 pop hit “Sleep”. Or maybe you’d hear a snippet of his lovestruck tenor on the torchy 1958 ballad “Talk to Me, Talk to Me”, played as an oldie on the radio. Even by the early Sixties, less than a decade after he hit big as a teenager in 1955 with the R'n'B classic “All Around the World”, Willie’s status as one of the top male R'n'B stars had been eclipsed by his acolyte, James Brown, thanks to JB’s brilliant 1963 album Live at the Apollo.