fri 29/11/2024

William Parker and Hamid Drake Trio, Baltic | reviews, news & interviews

William Parker and Hamid Drake Trio, Baltic

William Parker and Hamid Drake Trio, Baltic

American avant-garde bassist and drummer play London Jazz Festival

Hamid Drake and William Parker: A collaboration of open-armed accessibility
They began with a whimper, rather than a bang. Bronx bassist William Parker was still tuning up when Zhenya Strigalev, Russian by birth but a regular performer at this south London restaurant and vodka bar, summoned the first quiet squeak from his alto saxophone. Parker’s playing became gradually more deliberate, but it was hard to say exactly at what point the London Jazz Festival gig had officially begun until Parker’s co-leader, the Louisiana-via-Chicago drummer Hamid Drake, finally picked up his mallets.
They began with a whimper, rather than a bang. Bronx bassist William Parker was still tuning up when Zhenya Strigalev, Russian by birth but a regular performer at this south London restaurant and vodka bar, summoned the first quiet squeak from his alto saxophone. Parker’s playing became gradually more deliberate, but it was hard to say exactly at what point the London Jazz Festival gig had officially begun until Parker’s co-leader, the Louisiana-via-Chicago drummer Hamid Drake, finally picked up his mallets.
It may be part of a jazz festival, but this really is a drum’n’bass show

Explore topics

Share this article

Comments

hmm. I actually thought Mr Strigalev held his own rather well. And if he wasn't looking at his bandmates (since when has that meant anything?), he was certainly listening to them. And though I was there (like most of the audience) for the rhythm section I did find myself occasionally bored by their tendency to stick to what felt like cod rock grooving. Possibly that was due to the noise levels in the venue (anything too subtle would have been lost ), but I'd have liked a bit more of a dynamic range...

I thought William Parker and Hamid Drake were both amazing (especially given the background noise). Zhenya Strigalev i thought held his own, as the previous comment says, and i put his tendency to close his eyes etc down as signs of nervousness (who could blame him?). I've mentioned the noise. It really was awful: one woman in particular never shut up and even though she was several feet away from me i could hear every word she said. This noisiness plus the poor acoustics made the subtleties of the music hard to hear (especially the double bass). It was even worse yesterday for the Stephan Kerecki gig: i walked out of that part way through because it was just ridiculous. I could barely hear the music at all.

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters