theartsdesk in Istanbul: Salzburg, Here We Come | reviews, news & interviews
theartsdesk in Istanbul: Salzburg, Here We Come
theartsdesk in Istanbul: Salzburg, Here We Come
Thanks to steel pipes, an international Turkish orchestra rises to the top
Monday, 31 May 2010
A traditional melting-pot: 'Istanbul would lose its identity if it became too local.'
At a sprawling car plant in the suburbs of north-eastern Istanbul mechanics are busy repairing camshafts and dynamos, applying blow torches to the undercarriages of a range of luxury cars and retouching paintwork. Visitors to the building are met by signs reading: “Sheer Driving Pleasure” and “Check Your Engine”. Upstairs, away from the mechanical buzz, fine-tuning of a completely different kind is going on as the Borusan Istanbul Philharmonic Orchestra is taken through its paces by its vivacious Austrian conductor, Sasha Goetzel.
At a sprawling car plant in the suburbs of north-eastern Istanbul mechanics are busy repairing camshafts and dynamos, applying blow torches to the undercarriages of a range of luxury cars and retouching paintwork. Visitors to the building are met by signs reading: “Sheer Driving Pleasure” and “Check Your Engine”. Upstairs, away from the mechanical buzz, fine-tuning of a completely different kind is going on as the Borusan Istanbul Philharmonic Orchestra is taken through its paces by its vivacious Austrian conductor, Sasha Goetzel.
We could have established a basketball team or a football club, but we decided to concentrate on classical music because it was really dying in Turkey
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Messiah, Academy of Ancient Music, Cummings, Barbican review - once more, with real feeling
The seasonal standby returns with heart, zest and grace
Christmas with Connaught Brass, Milton Court review - delightful seasonal fare from Bach to Boulanger
Young quintet dazzle with their technical accomplishment and easy charm
Classical CDs: Christmas 2024
The year's best seasonal releases
Giltburg, Bournemouth SO, Wigglesworth, Portsmouth Guildhall review - seemingly effortless élan
New chief conductor turns Tchaikovsky waltz king, and a Rachmaninov partnership flows
Bach Mendelssohn Festival, Part I, Oxford Philharmonic Orchestra review - the flame that never died
Top-flight performers show how a musical legacy endured
Currie, Hallé, Wong, Bridgewater Hall, Manchester review - sparkle and intrigue
Energy and excitement in MacMillan… and then a surprise
Rajakesar, Selaocoe, The Hermes Experiment, Wigmore Hall review - a joyful, fascinating laboratory of noise
Celebrating the avant-garde through different cultures
Classical CDs: Vitamins, kings and magic spells
A neglected ballet score, romantic piano concertos and contemporary British music
Kavakos, Philharmonia, Blomstedt, RFH review - a supreme valediction forbidding mourning
Nonagenarian conductor provides the flow, his players the passion, in Mahler's Ninth
Perianes, Orchestre Symphonique de Montréal, Payare, Barbican review - elegance and drama but not enough bite
Often dynamic Venezuelan conductor misses the darkness of the 'Symphonie fantastique'
La Serenissima, Wigmore Hall review - an Italian menu to savour
Tasty Baroque discoveries, tastefully delivered
Roman Rabinovich, Wigmore Hall review - full tone in four styles
Fascinating Haydn, Debussy and Schumann, odd Beethoven
Add comment