mon 14/10/2019

An African Election | reviews, news & interviews

An African Election

An African Election

On the campaign trail in Ghana's emblematic 2008 trip to the polls

JJ Rawlings, former president of Ghana who in 1979 seized power and executed his predecessorsJarreth Merz

How much do you remember about the Ghanaian presidential run-off of 2008? Me neither. And there's a reason for that. The Swiss documentary-maker Jarreth Merz spent three hectic months on the campaign trail, the better that we might understand – and he's put it all down in An African Election.

In little over 50 years since Kwame Nkrumah's groundbreaking election as Africa's first black prime minister, Ghana has been through five military dictatorships and four republics. The most notable figure in all this chequered history is Flight Lieutenant Jerry John Rawlings, who seized power in 1979, executed his predecessors in what he openly termed "house cleaning", returned government to the people within months, then took it back in disgust two years later when he saw what they did with it. By the lights of African military dictators Rawlings ran a pretty decent show; and in 1992 (under international pressure, admittedly) he took the leash off Ghana's democratic process and held legitimate elections – which he won. Twice. In 2000, at the end of his second term (a limit imposed by the constitution he himself had signed into law), Rawlings handed over power to John Kufuor's New Patriotic Party – the first and only time Ghana had witnessed a peaceful transition from one ruling party to the next. Would it ever happen again?

A cheery narrative conclusion leaves the film looking dangerously like it has oversold its main premises

Like all good political stories, Ghana’s has at least two and a half sides. Additionally, Merz is keen to frame the electoral process against the background of post-election violence in Kenya and Zimbabwe (to name just two) and the recent discovery of oil in Ghanaian territorial waters, which those of a cynical bent would say raises the stakes when it comes to control of the national purse.

Although there were 15 candidates in total, this was essentially a two-horse race: for the NPP, Nana Akufo-Addo, former Minister of Justice and Minister of Foreign Affairs under Kufuor; for Rawlings’s party (the National Democratic Congress), Professor John Atta Mills, Rawlings’s former VP.

Thanks to the natural characters of the loud-mouths and braggarts who populate presidential politics, Merz has no trouble getting access to key players. Predictably enough, the policy wonks and journalists (all Ghanaian) bang on about "good governance" and "due process" and the like, while the politicians – who actually have to get elected – talk about "peace" and "the people", "increased production", "education for all", "bringing technology to Ghana", "going forward". You're never quite sure when this is just code for "our turn at the trough, thanks".

And then there's JJ. Still in rude health, and casting a substantial shadow, Ol' Drawlin' Rawlings is repeatedly captioned as "Campaigning for John Atta Mills"; but when the man being voted for is his former deputy, and when there are spontaneous crowds gathering round Rawlings's four-by-four shouting "Jerry Jesus", it doesn’t take much to infer that, in reality, he's Mills's boss.

In the end – after a hung first round, a second-round run-off, contested results, angry rhetoric, and yes, the army on the streets – the election is decided, thanks to the shepherding of the imperturbable election commissioner, Dr Afari-Gyan, by the constituents of the rather small and far-flung Tain District, who had, due to an administrative glitch, been unable to finish voting in the second round. Cue curious footage of villagers stepping over their goats to decide the nation's future, and all’s well that ends with a new president.

This is a cheery narrative conclusion, but it leaves the film looking dangerously like it has sexed up and oversold its main premises. First, that there might be a brutal post-election scrum over power and oil wealth (when it turns out that Ghanaian politics is, now anyway, after five consecutive “free and fair” elections, really very much like our own). Second, the persistent and ill-argued notion that Ghana is somehow Africa's political barometer (hence the concern, if its democratic processes go up in smoke once again). In fact, the latter starts to look downright paradoxical if Ghana could have gone the way of Zimbabwe and yet doesn't because they have the more mature democratic system.

Nor is there discussion of why democracy has struggled across Africa as a whole (and no: the answer isn't “the CIA”), or – a related topic – the oft-lamented love of the Big Man in African politics. This is fundamental to the Rawlings phenomenon, and although Merz gives Rawlings more than enough rope to hang himself, the footage of him is so extended (presumably because he was the most keen to talk) that it hints at a kind of journalistic Stockholm syndrome.

In short, we don’t hear enough from the people whom the politicians claim to represent. "What should politicians do to make the country better?" one farmer is asked in a rare vox pop. Simple, he says: “If only they stopped to tell lies.” Putting a camera in front of them weeks before an election doesn’t seem the best way to wean them off the habit. That said, An African Election does a good job of keeping the story moving, a tough one for documentaries when you already know what's happened (if all you know is that Ghana didn't implode), and the quietly emergent hero is – and I mean this sincerely – the democratic process itself. A peaceful handover of power from one elected party to another is a tragically rare occurrence in Africa, and this one is to be celebrated. 

Watch the trailer for An African Election

 

 

Thanks to the natural characters of the loud-mouths and braggarts who populate presidential politics, Merz has no trouble getting continued access to key players

rating

Editor Rating: 
3
Average: 3 (1 vote)

Share this article

Comments

Is this already out for sale? Where can one purchase the DVD?

plz i will like to knwo where we can purchase the DVD to buy pz it is keeping long....

Add comment

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £3.95 per month or £30 per year. We feel it's a very good deal, and hope you do too.

To take an annual subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.