sat 09/11/2024

Africa

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s Wells review - raw and devastating

It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring in the version by Pina Bausch is a piece of theatre in itself, and many at Sadler’s Wells couldn’t tear...

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Dahomey review - return of the king

Mati Diop’s “speculative documentary” reverses the transatlantic journey of her feature debut Atlantics’ ghost Senegalese migrants, as plundered Beninese artefacts are returned from France. Dahomey is about African displacement and despoilment, and...

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The Battle for Lakipia review - why post-colonial Kenya is a land of unease

The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is the conflicting claim to Kenyan land made by white ranch owners of English descent and the indigenous pastoralist...

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Album: Kokoko! - Butu

Kokoko! hail from the Democratic Republic of Congo (formely Zaire), and specifically from Kinshasa, a source over the years of a great deal of irresistible dance music. On their second album, more electronic than the last (Fongola -2019), traces of...

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Blu-ray: Chocolat

Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect chitter, and the camera’s slow turn and rise into vast vistas. It’s also a colonial reckoning, setting...

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Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of his band’s previous discs – not so much desert blues as desert punk.Taking up the twin causes of the...

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Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

Yinka Shonibare’s Serpentine Gallery exhibition opens with a piece of cloth twirling in the breeze; except that it’s a bronze sculpture probably weighing a ton or more – such is the power of art (pictured below right: detail of Wind...

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Album: EMEL - MRA

At a time when conflicts in the Middle East are reaching fever pitch, Emel Mathlouthi represents hope. Her new album MRA, is titled for the Arabic word for “woman” and was created entirely by women, as in, every single person involved with it at any...

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Music Reissues Weekly: Congo Funk! - Sound Madness from the Shores of the Mighty Congo River

Brazzaville is on the north side of the Congo River. It is the capital of the Republic of the Congo. Kinshasa is on the south side of the Congo. It is capital of the Democratic Republic of the Congo, formerly known as Zaïre. The cities face each...

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Io Capitano review - gripping odyssey from Senegal to Italy

Io Capitano works on several levels. At first glance, it’s a ripping yarn – two optimistic Senegalese teenagers embark on a dangerous journey, across the Sahara, through the hell of Libya and on to an overcrowded boat across the Mediterranean...

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Samuel Takes a Break... in Male Dungeon No. 5 after a long but generally successful day of tours, The Yard Theatre review - funny and thought-provoking

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you out, replace your soul with a void. It happened to me at Auschwitz and it’s happening to Samuel at...

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Mami Wata review – a gorgeous, strange African fable

Mami Wata is the female West African water god still worshipped in Iyi, a fragile, matriarchal village redoubt against modernity. Writer-director C.J. “Fiery” Obasi’s third film makes Iyi a battleground for African identity, in a glistening black-...

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