Sudan, Remember Us review - the revolution will be memorised

Gonzo documentary shines light on a lost opportunity in the Arab spring

share this article

Shajane, right, at a protest in Khartoum

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir, hoping to chronicle the dream of an Arab country shaken up by a feminist revolution. The young pro-democracy activists, mostly women, she met at a sit-in protest outside army headquarters in Khartoum became the focus of Sudan, Remember Us, which she filmed over the next four years.

However, this sad and lyrical movie didn’t turn out quite the way she’d imagined. The revolution was hijacked by a violent military crackdown and civil war that have now left Sudan in ruins.

“I still can’t believe what happened happened,” Meddeb says on a subsequent visit, in 2023. “From my window I see a dead city. This country has changed, into an open-air prison.”

Her camera roams Khartoum, its gonzo blend of handheld and smartphone footage, skilfully edited by Gladys Joujou, mixing long takes of passing traffic or mist on the Nile, with tracking shots out of car windows, while a voiceover details murders, torture and imprisonment. The effect is undeniably harrowing but also somehow surreal, as if we were stealing glimpses of a people living in exile in their country.

Often Meddeb steps beyond traditional documentary techniques to explore a soixante-huitard culture of agitprop, poetry, music and rap that lies at the heart of Sudan’s fight for freedom. On a ferry trip up the Nile, a couple of twentysomethings, Shajane and Maha, sing along to Ibrahim al-Kashif’s patriotic song “Land of Goodness”, which became the revolution’s anthem: “I am Sudanese, I am African/Moving forward, head held high.”

Those lyrics date back to the early years of Sudan’s independence in the late 1950s. Yet they continue to inspire today’s young revolutionaries. “Poetry is eternal,” observes Shajane. So is youthful hope, and it illuminates this poignant film about a lost revolution – a lost generation too, perhaps, because its four protagonists are now living in exile in other countries, having left Sudan as refugees: Shajane and Maha to the UAE and Khatab to Egypt, while Muzamil studies computer programming at a university in Bangalore.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
From my window I see a dead city. This country has changed, into an open-air prison

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

A tale of forced migration lifted by close-knit farming family, the Conevs
A chiller about celebrity chilling that doesn’t chill enough
Inspiring documentary follows lucky teens at a Norwegian folk school
Seymour Hersh finally talks to a documentary team about his investigative career
Jafar Panahi's devastating farce lays bare Iran's collective PTSD
A queer romance in the British immigration gulag
The French writer-director discusses the unique way her new drama memorialises the AIDS generation
Brilliantly gifted keyboardist who played with the rock'n'roll greats
Lucile Hadžihalilović's exquisite fantasy about an orphan girl infatuated with a movie diva
How a US Army psychiatrist came face to face with evil
The formidable character actor discusses mentorship, masculinity, and the importance of 'self-persuasion'