Fischer, LPO, Jurowski, Royal Albert Hall | reviews, news & interviews
Fischer, LPO, Jurowski, Royal Albert Hall
Fischer, LPO, Jurowski, Royal Albert Hall
Demons and reveries in another well-planned, fierily executed Prom
Monday, 16 August 2010
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/77b4cce0b69b99bdd89ed5fe2f72704d.jpg?itok=scbjIlcw)
Julia Fischer: poised and Olympian in ShostakovichSol Gabetta
How did they do it? This was another Prom which looked almost too much on paper but worked hair-raisingly well in practice. It was a Vladimir Jurowski special: whizzing, clamorous demons versus introspective reveries, church bells bringing one witches' sabbath to an end, alarm bells kicking off another. And from the first rapid crescendo of the Musorgsky-Rimsky Korsakov Night on a Bare Mountain to the truly great Julia Fischer's much slower build of a cadenza in Shostakovich's First Violin Concerto and on to the final wind-up of Prokofiev's hellish Third Symphony, the performers held nearly everyone in yet another full house spellbound.
How did they do it? This was another Prom which looked almost too much on paper but worked hair-raisingly well in practice. It was a Vladimir Jurowski special: whizzing, clamorous demons versus introspective reveries, church bells bringing one witches' sabbath to an end, alarm bells kicking off another. And from the first rapid crescendo of the Musorgsky-Rimsky Korsakov Night on a Bare Mountain to the truly great Julia Fischer's much slower build of a cadenza in Shostakovich's First Violin Concerto and on to the final wind-up of Prokofiev's hellish Third Symphony, the performers held nearly everyone in yet another full house spellbound.
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