CD: Duotone - Ropes

A light, satisfying delight, like a perfectly executed sponge cake

share this article

Duotone: Barney Morse-Brown and James Garrett

Duotone duo have hit upon a pared-down, beautifully crafted acoustic sound, which proves what richness lies in simplicity. Like a perfectly executed sponge cake, their music is light, satisfying and a delight. But, as with any confection, the sweetness can be overpowering.

Barney Morse-Brown (a session cellist for The Imagined Village and Chris Wood’s Handmade Life) and James Garrett (singer-songwriter and percussionist) are supremely assured musicians. This, their second album - a follow-up to their excellent 2009 debut, Work Harder and One Day You’ll Find Her - starts brilliantly with a compelling and unusual track “Walking to the Shore” which testifies to the subtlety and cleverness of their arrangements.

As a whole the album is well-paced. It is a journey that takes in scenery from traditional folk, as well as a more dangerous and winding, percussive pathway, exposing layers of drama and intensity. Highlights include the purely instrumental “Night Walk”, the searing “Broken Earth” and the jolly “This Song is for You”. Recorded in Dorset, it has a refreshing, seaside feel. During the first track you can hear the squawking of what may be seagulls overhead. It is the sort of music you can imagine being strummed gently around a beach camp fire.

There are moments, such as during “Set it Down”, when the emotiveness of the songs tilts from edifying to overpowering. It is a hard balance to maintain, obviously. The sincerity of what is being expressed is after all what gives it such effectiveness. To my taste it is at times too rich, too saccharine. But the final track, “Picture Box”, serves as a tonic for the overly sweet sentiments and the album ends on a note almost as exciting as the one it begins on with a lilting, minimalist story in song.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Recorded in Dorset, it has a refreshing, seaside feel. You can hear the squawking of what might be seagulls overhead

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time