Bostridge, Europa Galante, Barbican | reviews, news & interviews
Bostridge, Europa Galante, Barbican
Bostridge, Europa Galante, Barbican
A coldy conductor complements a sizzling-hot ensemble in Baroque arias for tenor
Saturday, 30 October 2010
Three for the price of one: Bostridge looks to the famous tenors of the Baroque
We have good days and we have bad days. Ian Bostridge, at last night’s concert at the Barbican, was not having one of his better ones. But time and CD releases wait for no man, and so he gamely ploughed through his programme of music written for three great Baroque tenors (no prizes for guessing what the title of the album is – do you think EMI would pass up an opportunity like that?), and by the end appeared a little more comfortable than at what was a rather tentative start.
We have good days and we have bad days. Ian Bostridge, at last night’s concert at the Barbican, was not having one of his better ones. But time and CD releases wait for no man, and so he gamely ploughed through his programme of music written for three great Baroque tenors (no prizes for guessing what the title of the album is – do you think EMI would pass up an opportunity like that?), and by the end appeared a little more comfortable than at what was a rather tentative start.
Europa Galante is the dryly witty uncle of Italian Baroque groups: it doesn’t set out to shock, but it comes up with some fantastic stories
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