Leon Kossoff, New Works, Annely Juda Fine Art

A rare exhibition teaches us to look, and then look again

by Judith FlandersMonday, 01 November 2010

Kossoff: 'Christ Church, Spitalfields', 1999-2000Courtesy Annely Juda Fine Art

It is one of the enduring mysteries of Leon Kossoff’s art. How does someone who uses such thick, impastoed paint and such muddy, earth-toned colours make his work so light, so delicate, so filled with grace? The more you look, the more mysterious is becomes.

Kossoff teaches us to look. Then he teaches us to look again

Explore topics

Share this article

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Visual arts

Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage Fifty years of political protest by a master craftsman

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history Dunked in the sea to give them a patina of age, sculptures that feel timeless

Bill Viola (1951-2024) - a personal tribute Video art and the transcendent

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all A glimpse of important Ukrainian artists

Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears How to be serious and light hearted at the same time

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances Seething anger is cradled within beautiful images

Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joy Two Scottish artists explore childhood and play

Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world At 84, the American pioneer is a force to be reckoned with

Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph Rescued from obscurity, 100 women artists prove just how good they can be

Brancusi, Pompidou Centre, Paris review - a sculptor's spiritual quest for form and essence The Paris landmark signs off with a historic survey

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity Wonderful paintings, but only half the story

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits One of Switzerland's greatest photographers celebrated with a major retrospective

Follow @theartsdesk