landscape
A Year in a Field review - exemplary eco-docThursday, 21 September 2023
A shot of a dead field mouse sets the tone for this sobering “slow cinema” documentary, narrator-director Christopher Morris’s response, simultaneously aghast and philosophical, to the looming environmental catastrophe.Rather than contemplate the... Read more... |
Noreen Masud: A Flat Place - reflective landscapesTuesday, 09 May 2023
On the front cover of Noreen Masud’s startling memoir, A Flat Place, a green square of sky is scored across by a notched brown line. It represents the horizon of one of the flat landscapes through which the author travels.Masud is, amongst other... Read more... |
Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew MellorWednesday, 15 February 2023
“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness: sometimes “real and pure”, sometimes it “lingers despite... Read more... |
Annie Proulx: Fen, Bog & Swamp review - defending the wetlands' bountyWednesday, 26 October 2022
Annie Proulx’s Fen, Bog & Swamp sees the Pulitzer-winning novelist join a number of authors decrying the ecological devastation we’re wreaking on the planet. James Rebanks’ English Pastoral argued for radical agricultural rethink. Journalist... Read more... |
Bronwyn Adcock: Currowan review - a fire foretold, a warning deliveredTuesday, 27 September 2022
In 2019 Australia endured the hottest, driest year since records began and their bushfire season escalated with unprecedented intensity. The fires and pyro-connective storms that swept the country claimed 33 lives (and a further 400 from smoke... Read more... |
Phoebe Power: Book of Days review - the clack of walking poles, the clink of scallop shellTuesday, 26 July 2022
The word “shrine” somersaults me back to the path of the Camino de Santiago. I have lost count of the faces that smiled up from photos positioned in the hollow of trees, some with little plastic figurines for company, others set in stone next to a... Read more... |
Extract: Where My Feet Fall - Going For A Walk in Twenty StoriesTuesday, 29 March 2022
I began work on Where My Feet Fall a few months into the pandemic of 2020. After lockdown was announced we all became better walkers, and the collection took on greater resonance.The writers I selected were invited to do one of two things – recall a... Read more... |
Wuthering Heights, National Theatre review - too much heat, not enough lightFriday, 11 February 2022
“If you want romance,” the cast of Emma Rice’s new version of Wuthering Heights say in unison just after the interval, “go to Cornwall.” They’re using the modern definition of romance, of course – Emily Brontë’s novel is full of the original meaning... Read more... |
Extract from Sauntering: Writers Walk Europe, introduced and edited by Duncan MinshullMonday, 15 March 2021
Wandering, ambling, sauntering. The last, least heard of the three, captures a sense of leisurely aimlessness: a jolly meander unbound by destination, admitting none of the qualms of timekeeping or pacing. In his latest anthology, sequel to Beneath... Read more... |
The Prom review - merry Meryl in middling musicalWednesday, 09 December 2020
Four Broadway denizens resolve to change the world "one lesbian at a time" in the cheerful if often cheesy The Prom, the film adaptation of a recent Broadway musical that continually reminds you of at least a half-dozen similar titles, almost all of... Read more... |
The Lady from the Sea, Print Room at the Coronet review - freedom to choose?Monday, 18 February 2019
Ellida (Pia Tjelta) has a choice to make, the outcome of which will bind her future to her past or her present, each represented by a man. On the one hand, there is the tempestuous seafaring Stranger (Øystein Røger) to whom, long ago and in a fit of... Read more... |
Aftermath: Art in the Wake of World War One, Tate Britain review - all in the mindTuesday, 05 June 2018
Not far into Aftermath, Tate Britain’s new exhibition looking at how the experience of World War One shaped artists working in its wake, hangs a group of photographs by Pierre Anthony-Thouret depicting the damage inflicted on Reims. Heavy censorship... Read more... |
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