CD: Moby – Destroyed | reviews, news & interviews
CD: Moby – Destroyed
CD: Moby – Destroyed
His 10th album is not bleak, or dark, or bitter; just really sad
Monday, 16 May 2011
Moby's 'Destroyed': A series of meditations on a theme of sadness
What is it with synthesisers and sadness? There’s something inherently melancholic about this instrument, a quality that’s been accentuated by its use in the soundtracks to dystopian movies such as Blade Runner. Moby is a man who has exploited this quality to the full during his 20-year recording career, and he does so more than ever on this, his 10th album: Destroyed is really sad. Not bleak, or dark, or bitter; just really sad.
What is it with synthesisers and sadness? There’s something inherently melancholic about this instrument, a quality that’s been accentuated by its use in the soundtracks to dystopian movies such as Blade Runner. Moby is a man who has exploited this quality to the full during his 20-year recording career, and he does so more than ever on this, his 10th album: Destroyed is really sad. Not bleak, or dark, or bitter; just really sad.
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
The Unthanks in Winter, Cadogan Hall review
An Unthanks Christmas is forever, not just for the season
Albums of the year 2024: Everything Everything - Mountainhead
The Manchester art-rockers seventh album illustrates their unmatched creative vision
Music Reissues Weekly: Hawkwind - X In Search Of Space, Doremi Fasol Latido
Must-have box-set editions of two of British rock’s most important albums
Albums of the Year 2024: Samara Joy - Portrait
From Grammy triumphs to sonic odysseys: nine of the year's most transcendent jazz albums
Albums of the Year 2024: Mercury Rev - Born Horses
An exploration of inner space, freeze-dried electronica, French nursery rhymes and more
Albums of the Year 2024: Ca7riel & Paco Amoroso - Baño María
Art that creates it's own (deliriously wild) lane
Albums of the Year 2024: Kneecap - Fine Art
The music sector finely emerges from the long shadow of Covid with a bumper year
Albums of the Year 2024: Kenny Barron - Beyond This Place
Consistently glorious - nothing less than a very great album
Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969
A wild ride with the ‘You Keep me Hanging on’ hitmakers
Albums of the Year 2024: Meemo Comma - Decimation of I
A concept album from the perspective of an infected planet provides succour and sustenance
Albums of the Year 2024: Amelia Coburn - Between the Moon and the Milkman
An array of albums that have set 2024 alight for this writer
Jesus & Mary Chain, O2 Institute, Birmingham - Reid Brothers refuse to join the heritage industry
Noise veterans deck the halls with feedback and dry ice
Add comment