theartsdesk in Western Sahara: The World's Most Remote Film Festival | reviews, news & interviews
theartsdesk in Western Sahara: The World's Most Remote Film Festival
theartsdesk in Western Sahara: The World's Most Remote Film Festival
FiSahara takes place in a refugee camp in the Algerian desert
Sunday, 22 May 2011
At FiSahara, films are screened at night in the centre of the camp onto a multiplex-sized screenAlberto Almayer
During the 1960s, when decolonisation movements were sweeping the world, it was joked that, after achieving independence, a country had to do three things: design a flag, launch an airline and found a film festival. Western Sahara has a flag but no airline and, despite a 35-year struggle, has yet to achieve independence. The closest Western Sahara comes to its own film festival is the Sahara International Film Festival (known as FiSahara), the world's most remote film festival, whose eighth edition took place this month in a refugee camp deep in the Algerian desert.
During the 1960s, when decolonisation movements were sweeping the world, it was joked that, after achieving independence, a country had to do three things: design a flag, launch an airline and found a film festival. Western Sahara has a flag but no airline and, despite a 35-year struggle, has yet to achieve independence. The closest Western Sahara comes to its own film festival is the Sahara International Film Festival (known as FiSahara), the world's most remote film festival, whose eighth edition took place this month in a refugee camp deep in the Algerian desert.
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Film
September 5 review - gripping real-life thriller
The ground-breaking, if flawed media coverage of the 1972 Munich massacre
Blu-ray: Stray Dog
Kurosawa's post-war Tokyo noir gleans societal guilt as a cop hunts his purloined pistol
Hard Truths review - a bravura, hyperreal performance from Marianne Jean-Baptiste
Grudges and gloom offset by love and support make for an unsettling mix
Saturday Night review - a dizzying 90-minute trip to a landmark TV event
Jason Reitman captures the full chaos of SNL's 1975 launch
By the Stream review - enigmatic Korean drama
Hong Sang-soo's 32nd feature: Seoul campus life and love with plenty of booze
Flight Risk review - the sky's the limit for Michelle Dockery and Mark Wahlberg
Mel Gibson's airborne thriller is fast and furious
Presence review - Soderbergh's haunted camera
A ghost story from the ghost's point of view eavesdrops on a fractured family
The Brutalist review - we're building to something
An epic of American dreaming that baffles and mesmerises
William Tell review - stirring action adventure with silly dialogue
The Swiss folk hero gets an epic update
Blu-ray: Mikey and Nicky
Elaine May's edgy 1976 crime drama deglamorises the gangster archetype
David Lynch: In Dreams (1946-2025)
The director, who has died aged 78, rewired cinema with nightmare logic, an underground ethos and weird, wondrous innocence
A Complete Unknown review - how does it feel?
Timothée Chalamet brings it all back home as Bob Dylan
Comments
...
...
...