Egon Schiele, Richard Nagy Gallery

Women made of bones and bruises and heart in this superior show

by Josh SperoSunday, 22 May 2011

Egon Schiele, 'Woman With Homunculus', 1910Private Collection, Courtesy of Richard Nagy Ltd, London

Richard Nagy's gallery has said that they don't want millions of people rushing to see their show of Egon Schiele's drawings of women - it's only a small second-floor space on New Bond Street after all, and 50 fragile pictures crowd the walls. But don't let that dissuade you from seeing one of the shows of the year.

There is sensuality but not much human sensitivity, or at any rate much of a connection between model and artist

Buy

Find Egon Schiele on Amazon

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Visual arts

Help to give theartsdesk a future! Support our GoFundMe appeal

Do Ho Suh: Walk the House, Tate Modern review - memories are made of this Home sweet home preserved as exquisite replicas

Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers Emotions too raw to explore

Echoes: Stone Circles, Community and Heritage, Stonehenge Visitor Centre review - young photographers explore ancient resonances The ancient monument opens its first exhibition of new photography

Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder A strong message diluted by space and time

Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters The shock of the glue: rhinestones to the ready

Interview: Polar photographer Sebastian Copeland talks about the dramatic changes in the Arctic An ominous shift has come with dark patches appearing on the Greenland ice sheet

Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present Illness as a drive to creativity

Noah Davis, Barbican review - the ordinary made strangely compelling A voice from the margins

Best of 2024: Visual Arts A great year for women artists

Electric Dreams: Art and Technology Before the Internet, Tate Modern review - an exhaustive and exhausting show Flashing lights, beeps and buzzes are diverting, but quickly pall

ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime Despite anticipating disaster, this mesmerising voyage is full of hope

Follow @theartsdesk