Egon Schiele, Richard Nagy Gallery | reviews, news & interviews
Egon Schiele, Richard Nagy Gallery
Egon Schiele, Richard Nagy Gallery
Women made of bones and bruises and heart in this superior show
Sunday, 22 May 2011
Egon Schiele, 'Woman With Homunculus', 1910Private Collection, Courtesy of Richard Nagy Ltd, London
Richard Nagy's gallery has said that they don't want millions of people rushing to see their show of Egon Schiele's drawings of women - it's only a small second-floor space on New Bond Street after all, and 50 fragile pictures crowd the walls. But don't let that dissuade you from seeing one of the shows of the year.
Richard Nagy's gallery has said that they don't want millions of people rushing to see their show of Egon Schiele's drawings of women - it's only a small second-floor space on New Bond Street after all, and 50 fragile pictures crowd the walls. But don't let that dissuade you from seeing one of the shows of the year.
There is sensuality but not much human sensitivity, or at any rate much of a connection between model and artist
Share this article
more Visual arts
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past
After a long, slow journey from invisibility to agency, black people finally get a look in
Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations
Exploring the lies, deceptions and hyperbole used to cajole, bully and manipulate us
Richard Dorment: Warhol After Warhol review - beyond criticism
A venerable art critic reflects on the darkest hearts of our aesthetic market
Dineo Seshee Raisibe Bopape: (ka) pheko ye / the dream to come, Kiasma, Helsinki review - psychic archaeology
The South African artist evokes the Finnish landscape in a multisensory installation
Paul Cocksedge: Coalescence, Old Royal Naval College review - all that glitters
An installation explores the origins of a Baroque masterpiece
Issy Wood, Study for No, Lafayette Anticipations, Paris review - too close for comfort?
One of Britain's most captivating young artists makes a big splash in Paris
Add comment