CD: The Hives – Lex Hives

Despite the Fred Astaire style the Swedish rockers are brilliant musical scruffs

Don't be fooled by the top hat and tails that they've got, The Hives is still the dirtiest garage band on the block. The high velocity Swedish quintet's fifth album marks a change in sartorial terms, as anyone who spotted vocalist Howlin' Pelle Almqvist doing his cartoonish Boris-at-the-Bullingdon, rubber-hipped Jagger swagger on Later this week will have seen. But in musical terms it is classic riff sandwich business as usual. Lex Hives is so old school maybe it should be released on wax cylinder rather than download.

The 12 tracks certainly wear their influences on their well-turned sleeves. The stand-out moment "Go Right Ahead" is a heady brew of pumping Feelgood-style R&B with a touch of Cramps rockabilly lobbed into the mix. "1000 Answers" feels like it toppled off some long-lost punk compilation. The powerhouse drumming of The Damned is in mix, along with The Ramones and Raw Power-era Stooges. Guitarist Nicholaus Arson – Pelle Almqvist's brother – grinds out colossal powerchord earworms throughout that chew their way into your brain.

There are occasional stabs of soulful brass but this combo – or at least their elusive publicity-shy writer/svengali Randy Fitzsimmons, rumoured to be the alter ego of Nicholaus Arson – knows what their demographic wants and on Lex Hives deliver it in spades. With some albums one wonders how a band is going to reproduce the precision-tooled recorded version onstage. The exciting thing about The Hives, who really know how to put on a rough, tough rock show, is that one can be confident that when they do these songs onstage they are going to sound even better. Terrific stuff from the superlative Swedes. Truly the bee's knees.

Watch The Hives perform "Go Right Ahead" on Later


 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Guitarist Nicholaus Arson grinds out powerchord earworms that chew their way into your brain

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production