Lullaby, Barbican Pit

Lullaby, Barbican Pit | reviews, news & interviews

Lullaby, Barbican Pit

Theatrical naivety and polished packaging make this sleepover show a must

by Alexandra CoghlanMonday, 27 June 2011

Octopuses perform a stately pas de quatre, tentacles aloft.Hugo Glendinning

There are few absolutes left in contemporary theatre. Fourth walls have long since crumbled underfoot; site-specific and immersive theatre experiences have further done away with divides between theatre and world, performer and audience. The one principle you can rely on is that consciousness is generally a good thing – that a play capable of putting you to sleep is bad. Oh, and that turning up to an opening night in your pyjamas is guaranteed to get you sent straight home again. Step forward maverick theatre company Duckie and their new show Lullaby, hoping to change all that.

There’s something nurturing about the combination of such polished hospitality and such innocent theatre

Buy

Book tickets for Lullaby on the Barbican website

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Theatre

Natasha, Pierre & the Great Comet of 1812, Donmar Warehouse review - a blazingly original musical flashes into the West End War and Peace - but not as you know it

The Invention of Love, Hampstead Theatre review - beautiful wit, awkward staging Tom Stoppard’s classic evocation of Victorian golden age Oxford stars Simon Russell Beale

Matthew Bourne's Swan Lake, New Adventures, Sadler's Wells review - 30 years on, as bold and brilliant as ever A masterly reinvention has become a classic itself

The Little Foxes, Young Vic review - timeshifted production blurs the play's focus Lillian Hellman’s family feud set in 1900 Alabama doesn’t survive a confused updating

The Legends of Them, Royal Court review - reaching out for serenity Gig theatre piece about the pain and redemption of a pioneer reggae artist

The Producers, Menier Chocolate Factory review - liberating taboo-busting fun for grown-ups Director Patrick Marber does Mel Brooks's musical proud

A Midsummer Night's Dream, RSC, Barbican review - visually ravishing with an undercurrent of violence This psychedelic mashup conveys a sci-fi-style alternate reality

The Devil Wears Prada, Dominion Theatre review - efficient but rarely inspired Relaunch of Elton John musical needs further tinkering still

Hansel and Gretel, Shakespeare's Globe review - too saccharine a retelling for our times Songs and sweeties, but insufficient sourness and sadism for fans of fairytales

The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delight Oscar Wilde speaks just as strongly to the 21st century as he did to his own

Twelfth Night, Orange Tree Theatre review - perfectly pitched sad and merry musical mayhem Shakespeare's comedy of identity confusion benefits from a 1940s setting

The Lightning Thief: The Percy Jackson Musical, The Other Palace - all Greek to me Myths and monsters make for a curiously bland and bloodless musical

Follow @theartsdesk