alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Reissue CDs Weekly: Richard Hell & The Voidoids - Destin...
"Three plus versions of the same album. It’s ridiculous, but I’m glad.” The first paragraph of Richard Hell’s text in the booklet accompanying...
Persian Lessons review - confusing Holocaust drama
This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced...
Album: Bicep - Isles
Bicep's second album fufills the promise of the first, released in 2017 to wide acclaim. Andrew Ferguson and Matthew McBriar, friends since...
Quo Vadis, Aida review - a Bosnian woman confronts genocide
Jasmila Žbanić’s latest film, once again about the people...
Back, Channel 4 review - return of sibling-rivalry comedy wi...
It has taken three years for the second series of Back to reach our screens (a combination of the creator being busy, a star being unwell...
Call My Agent!, Series 4, Netflix review - the final bow for...
Sad to report, this fourth series of Call My Agent! (...
Album: Wardruna - Kvitravn
Norway’s Wardruna have proved to be an unlikely international musical success, both within Scandinavia and further afield, since releasing their...
'The total confusion about post-Brexit rules adds to th...
“Fuck business,” Boris Johnson is alleged to have said while Foreign Secretary. (He didn’t deny it). We have seen enough over the past three weeks...
Album: Eminem - Music To Be Murdered By Side B
Becoming a has-been is Eminem’s main raw material now, the...