thu 07/12/2023

alexandra coghlan

alexandra.coghlan's picture
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Everest, Barbican review - a powerful operatic debut from Joby Talbot

Read more...

Werther, Royal Opera review - Kaufmann off form in this stiff revival

Read more...

Rigoletto, Opera Holland Park review - Verdi's Duke gets the Oxbridge treatment

Read more...

Il Trionfo del Tempo e del Disinganno, Academy of Ancient Music, Milton Court review - radiant and full of life

Read more...

Theodora, Arcangelo, Cohen, Barbican review - gloriously dark and sober

Read more...

La bella dormente nel bosco/L'enfant et les sortilèges, Royal College of Music review - pure theatrical magic

Read more...

The Winter's Tale, Shakespeare's Globe review - clever concept never quite catches fire

Read more...

The Rake's Progress, Royal Academy of Music review - Hogarth's Rake enters the digital age

Read more...

La rondine, If Opera review - a bold opening gambit from a company changing the business of opera

Read more...

Sir John in Love, British Youth Opera review - a delicious end-of-summer treat

Read more...

Prom 19, Hallé, Elder review - cinematic drama, and plenty of it

Read more...

Mavra/Pierrot Lunaire, Linbury Theatre review - operatic madness tempered with plenty of method

Read more...

Opera Triple Bill, Royal Academy Opera review - three centuries of female suffering

Read more...

The Comedy of Errors, RSC, Barbican review - Shakespearean Christmas panto

Read more...

Die schöne Müllerin and The Alehouse Sessions, Middle Temple Hall review - overflowing musical energy and joy

Read more...

The Magic Flute, Royal Opera review - all but a guarantee of a great night out

Read more...

Pages

latest in today

Album: Gregory Porter - Christmas Wish

The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album, and it...

Paul Lewis, Wigmore Hall review - Schubert sonatas revisited...

A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and a half years and...

The Homecoming, Young Vic Theatre review - Pinter's dis...

As the audience enters, thick mist envelopes the thrust stage and jazz music fills the...

Blu-ray: Blackhat

The Boxing Day release of Michael Mann’s first feature in eight years, Ferrari, finally follows up Blackhat, a Chris Hemsworth-...

Kin, BBC One review - in Dublin's not-so-fair city

Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’...

Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre...

There’s a game called Whamageddon, where people see how deep into December they can go without hearing “Last Christmas”. I’m like that, but with...

Infinite Life, National Theatre review - beguiling new comed...

A sun deck with seven pale-green padded loungers is the latest setting for the latest...

Rodelinda, The English Concert, Bicket, Saffron Hall review...

If ever a marriage was made in heaven, it would have to be the one between Lucy Crowe’s beleaguered Queen Rodelinda and Iestyn Davies’ King...

£1 Thursdays, Finborough Theatre review - dazzling new play...

It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for...