sat 15/08/2020

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Eugene Onegin, Komische Oper, OperaVision review - sensual and devastating

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Cosi fan tutte, English Touring Opera review - a blissful, uncomplicated delight

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The Taming of the Shrew, Sam Wanamaker Playhouse review - a confused and toothless mess

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prisoner of the state, Barbican review - beauty, but where is the drama?

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Der Freischütz, Barbican review - Gothic chills rooted in flesh and earth

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Zauberland, Linbury Theatre review - an adaptation that adds much and gains nothing

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theartsdesk at Itinéraire Baroque 2019 - a musical journey through the Périgord

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Il Segreto di Susanna/Iolanta, Opera Holland Park review - superb singing, mixed staging

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Trouble in Tahiti/A Dinner Engagement, Royal College of Music review - slick, witty and warm

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A Midsummer Night's Dream, Nevill Holt Opera review - sprinkled with musical fairy-dust

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Un ballo in maschera, Opera Holland Park review - evocative and sensationally sung

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Falstaff, The Grange Festival review - belly laughs and bags of fun

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Agrippina, Barbican review - over-the-top comic brilliance

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Brockes-Passion, AAM, Egarr, Barbican review - fleshly Handel for our earthbound times

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Judith, Royal Festival Hall review - a musical curiosity gets a rare airing

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The Merry Widow, English National Opera review - glitter but no sparkle

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latest in today

My Rembrandt review - hard cash and hubris

In the gloomy splendour of Drumlanrig Castle in Dumfriesshire, the 10th Duke of Buccleuch gazes up at...

Album: Bright Eyes - Down in the Weeds, Where the World Once...

During the first decade of this century Conor Oberst was critically anointed as a successor to the likes of Bob Dylan, Neil Young and Leonard...

Babyteeth review - teenage love and terminal illness in the...

Babyteeth gets off to a terrific start. A semi-naked, manic Moses (Toby Wallace, full of scabby charisma) almost pushes 15-year-old Milla...

Mandy, BBC2 review - Diane Morgan's new creation

Mandy started life in the Comedy Shorts season last year, and has now been given a six-part series. Diane Morgan, who has a...

Project Power - so-so attempt to reinvent the superhero genr...

What if there was a pill you could pop that gave you superpowers? The only catch is that, while it might make you invisible or...

Cara Dillon Live at Cooper Hall, YouTube review - a warm Iri...

Cara Dillon and Sam Lakeman were bringing it all back home when they performed their first live stream concert from Cooper Hall, in Frome,...

Spree review - a wild ride through social media madness

Allergic to that word “influencer”? Afraid that social...

Album: Burna Boy - Twice as Tall

There’ve been plenty of global breakout successes from Nigeria...

Theatre Unlocked 4: Shows in concert and a contemporary clas...

After months spent sifting amongst the virtual, I'm pleased to report that live performance looks to be on the (socially distanced) rebound. The...