alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Reissue CDs Weekly: Hangman’s Beautiful Daughters
A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The...
DVD/Blu Ray: The Elephant Man
David Lynch’s second feature, his only period movie, is as good as anything else he has ever done, building on the claustrophobia of his first,...
One Man, Two Guvnors, National Theatre at Home review – blis...
Armchair theatre-lovers rejoice. During the lockdown, the...
Album: Pokey LaFarge, Rock Bottom Rhapsody - a gourmet gumbo
Talk about a great big melting pot! The eighth studio album by the man born 36 ago as Andrew Heissler in Bloomington, Indiana, and known to the...
Lazy Susan, Soho Theatre On Demand review - sketch duo'...
You may have seen Lazy Susan's excellent BBC pilot last year; now a series has been commissioned from Freya Parker and Celeste Dring so we can...
ReMastered: Tricky Dicky and the Man in Black, Netflix revie...
Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in...
The Turn of the Screw, Opera North, OperaVision review - cla...
Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly...
Mark Kermode's Secrets of Cinema, BBC Four review - the...
Mirrors and windows, looking at ourselves or out into the world, reflecting the culture or making it: compare and contrast. This was the...