alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - mi...
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events...
The Accountant 2 review - belated return of Ben Affleck...
It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an accountant but also a...
The Inseparables, Finborough Theatre review - uneven portrai...
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war France, where...
The Ugly Stepsister review - gleeful Grimm revamp
Although both of the Brothers Grimm died around 1860, they still insist on getting dozens of film and TV credits in each decade of our...
Album: Self Esteem - A Complicated Woman
Given that Prioritise Pleasure was Rebecca Lucy Taylor’s (RLT) Back to Black, and that there’s been a lengthy...
Flintoff, Disney+ review - tumultuous life and times of the...
Documentaries about sports stars are now a dime a dozen, but you can only be as good as your subject matter. We know Andrew Flintoff (usually...
Personal Values, Hampstead Theatre review - deep grief that...
“They fuck you up your Mum and Dad; they may not mean to, but they do.” These lines from Philip Larkin’s 1975 poem, “This Be the Verse”, sum up...
Album: Jenny Hval - Iris Silver Mist
Had I read the contextual blurb about Jenny Hval's latest album first, I might have assumed it was a perfume company collaboration. The album is...
April review - powerfully acted portrait of a conflicted doc...
It’s easy to see metaphors about the status of modern Georgia, once again threatened by the Russian boot, in its recent artistic output...