alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Hoard review - not any old rubbish
A visually dazzling, fiercely acted psychological drama with a manic comic edge, Hoard channels an 18-year-old South Londoner’s quest to...
Hidden Door 10th Birthday Party, St James Quarter, Edinburgh...
It’s hard to imagine that The Arches – a string of stylish glass-fronted units in prime city centre location, housing boutique bars,...
Blu-ray: Chocolat
Claire Denis’ 1988 debut is a sensual madeleine to her Cameroonian childhood, with its taste of termites on butter, sound of birdsong and insect...
Coote, LSO, Tilson Thomas, Barbican review - the triumph of...
Programme notes for Mahler’s monumental symphonies will often...
Conchúr White, St Pancras Old Church review - side-stepping...
If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...
Our Mothers review - revisiting the horrors of Guatemala...
Director Cesar Diaz’s debut feature film was...
Rhod Gilbert, G-Live Guildford review - cancer, constipation...
Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...
Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...
By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...
Album: Beth Gibbons - Lives Outgrown
It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008. She has lived through so many...