alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
latest in today
Two Billion Beats, Orange Tree Theatre review - lively, but...
Do the right thing! But doing the right thing isn’t easy – especially if you are a teen. And a female teen who is being pressurised by your mother...
January review - the end is nigh in vampirised Bulgaria
At their best, horror movies reflect destabilisation caused by cracks in the social fabric. The crack indicated in the documentarist Andrey...
Album: Lisa O'Neill - All of This Is Chance
Lisa O’Neill is a part of the new wave of Irish contemporary folk artists, one that encompasses the likes of Lankum, Ye Vagabonds...
Leonskaja, Staatskapelle Streichquartett, Wigmore Hall / Sec...
It’s dangerous to claim a sense of absolute rightness about a musical performance; that could mean no more than responding to an interpretation...
Othello, Lyric Hammersmith review - Frantic Assembly's...
Frantic Assembly’s Othello, originally co-developed with the Lyric in 2008, is back in its third iteration, and it’s still not...
Blu-ray: The War Trilogy - Three Films by Andrzej Wajda
Watching these harrowing films in rapid succession allows us to watch a great...
Ólafsson, LPO, Gardner, RFH review - spirit of delight
This concert was advertised as the completion of an Elgar symphony cycle, though in the absence of the reconstructed Third, that meant the second...
Sound of the Underground, Royal Court review - loud and triu...
Ever been to a queer club? You know, drag cabaret night at Madame Jojo’s, or the Black Cap or Her Upstairs. No? Well, not to worry – the...
Gerhardt, BBC Philharmonic, Gernon, Bridgewater Hall, Manche...
Ben Gernon’s calm and clear way of conducting an orchestra (something he once told me he’d observed in the work of his mentor, Colin Davis) is...
Album: Robert Forster - The Candle and the Flame
Reflections on how the past relates to now suffuse The Candle and the Flame. The album’s closing track is “When I Was a Young Man.” When...