tue 27/10/2020

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

Allan Clayton, Stephanie Wake-Edwards, James Baillieu, Wigmore Hall review - consummate musicality and technique

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Louise Alder, Roger Vignoles, Wigmore Hall review - German Romanticism meets French eroticism

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Eugene Onegin, Komische Oper, OperaVision review - sensual and devastating

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Cosi fan tutte, English Touring Opera review - a blissful, uncomplicated delight

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The Taming of the Shrew, Sam Wanamaker Playhouse review - a confused and toothless mess

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prisoner of the state, Barbican review - beauty, but where is the drama?

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Der Freischütz, Barbican review - Gothic chills rooted in flesh and earth

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Zauberland, Linbury Theatre review - an adaptation that adds much and gains nothing

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theartsdesk at Itinéraire Baroque 2019 - a musical journey through the Périgord

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Il Segreto di Susanna/Iolanta, Opera Holland Park review - superb singing, mixed staging

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Trouble in Tahiti/A Dinner Engagement, Royal College of Music review - slick, witty and warm

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A Midsummer Night's Dream, Nevill Holt Opera review - sprinkled with musical fairy-dust

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Un ballo in maschera, Opera Holland Park review - evocative and sensationally sung

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Falstaff, The Grange Festival review - belly laughs and bags of fun

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Agrippina, Barbican review - over-the-top comic brilliance

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Brockes-Passion, AAM, Egarr, Barbican review - fleshly Handel for our earthbound times

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latest in today

Philharmonia, Rouvali, RFH review – wide range of American v...

There’s an old rule in the theatre that you don’t have to go on if there are more people in the audience than on stage. Last night I counted less...

The Undoing, Sky Atlantic review - trouble in paradise for g...

Plenty of pedigree wattage has been packed into this slickly addictive new HBO drama (showing on...

Northern Chords Festival, Church of St James and St Basil, N...

Whatever happens next – and even in Tier 3 the Royal Liverpool Phlharmonic goes on playing to carefully distanced audiences – this will be...

Blu-ray: Lynn + Lucy

If you’re after a relaxing Sunday watch, Fyzal...

Nine Lives, Bridge Theatre review - engaging if slim finale...

Call him Ishmael, and the Zimbabwe-born, UK-based writer Zodwa Nyoni has done just that. That's the name of the solo character in Nyoni's slight...

Brecon Baroque, Podger, Brecon Cathedral online review - Bac...

Bach’s Goldberg Variations, written for harpsichord in...

Judith Herrin: Ravenna review - flashes of order and beauty...

Anyone mesmerized by the mosaics in seven of Ravenna’s eight...

Album: Elvis Costello - Hey Clockface

Elvis Costello’s was the last major concert before ...

The Secret Garden review - blooming charming

With Netflix releasing Rebecca on Wednesday, who’d have thought that a...