thu 23/10/2025

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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'We are bowled over!' Thank you for your messages... ...
The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

Niall is unwell. Very unwell. Very, very. There’s a lot going on in his head. He can’t really hold things together. Evidence? Well, he’s lost his...

Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

Yazmin Lacey confirms her place in a vital soul movement wit...

We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...