thu 06/08/2020

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

latest in today

Moses und Aron, Komische Oper Berlin, OperaVision review – c...

Barrie Kosky’s production of Moses und Aron was staged at the Komische Oper...

Theatre Unlocked 3: Signs of activity after a long siesta

After a weeklong hiatus due to an absence of noteworthy material, this column is back heralding the return, as well, of something resembling live...

An American Pickle review - sweet and sour screwball comedy

Seth Rogen offers up double the laughs by taking on both lead roles in a time-hopping, Rip-Van-Winkle screwball...

The Deceived, Channel 5 review - who's fooling who?

Last night I dreamt I went to Manderley again, except somebody had renamed it The House at Knockdara. This was the title of the first...

Young Ahmed review - jihadist drama misses the mark

Belgian filmmaking duo the Dardenne Brothers have long been darlings of Cannes Film Festival, winning awards for hardhitting...

Album: Conrad Schnitzler & Frank Bretschneider - Con-Str...

When does the avant-garde become folk? Both of the...

Little Birds, Sky Atlantic review - decadence and intrigue i...

Diarist, novelist and writer of erotica Anaïs Nin lived a brilliantly-...

Hiromi Kawakami: People From My Neighbourhood review - deft...

Deft and funny prose, in a feather-light translation by Ted Goossen, is the signature of...

New Music Unlocked 4: The Streets, heavy metal, punk rock an...

This week would have been peak summer event antics but not in 2020. However, the game is far from up; the punks and the metallers are making a...

The Talk, Channel 4 review - coping with the legacy of racis...

Shall we talk about racism? Currently we seem to be...