Hierro | reviews, news & interviews
Hierro
Hierro
Spanish horror film fails to live up to its haunting predecessors
Wednesday, 16 June 2010
![](https://theartsdesk.com/sites/default/files/styles/mast_image_landscape/public/mastimages/b235a32a656a9036c174f3ea74b1068e.jpg?itok=8D7SdAm0)
Maria (Elena Anaya) offers a compelling emotional core to an otherwise laborious filmGabe Ibanez
What is it with horror films and water? Think back through all the watery episodes in the horror canon, not the grandiose creature-from-the-deep type but the more domestic scenarios – beaches, showers, baths, bathrooms. From Hitchcock’s originary shower scene onwards, the list is long and gory. Most recently we've seen the elegant atmospheric manipulations of Juan Antonio Bayona’s El Orfanato with its plot-significant headland setting and dark tidal caves; now following close behind is fellow Spaniard Gabe Ibanez with his first feature Hierro.
What is it with horror films and water? Think back through all the watery episodes in the horror canon, not the grandiose creature-from-the-deep type but the more domestic scenarios – beaches, showers, baths, bathrooms. From Hitchcock’s originary shower scene onwards, the list is long and gory. Most recently we've seen the elegant atmospheric manipulations of Juan Antonio Bayona’s El Orfanato with its plot-significant headland setting and dark tidal caves; now following close behind is fellow Spaniard Gabe Ibanez with his first feature Hierro.
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