alexandra.coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

articles by alexandra.coghlan

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
UK prog-rockers Gracious! acquired their exclamation mark when their first album was released in July 1970. Up to this point, they were…
When, in late 2021, I heard the UK premiere of Sir James MacMillan’s Christmas Oratorio, it truly felt like a heaven-sent gift of musical…
Whether there really was a poisonous professional rivalry between Mozart and Antonio Salieri, composer to the Imperial court in Vienna,…
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“The wonderful Mirra exists in its own space.” Back in August, that was the conclusion of my review of Benedicte Maurseth’s then-new album…
Eugene Jarecki’s forensic investigation concludes that Julian Assange’s character flaws are dwarfed by the high crimes he exposed, and can’…
There were moments during the starry, two-evening Beare’s Chamber Music Festival when the quality of the playing reached such heights, it…
JB Priestley’s glorious pot shot at marital complacency in pre-First World War Bradford proves to be a tonic at a time of year where, for…
The third of James Cameron’s world-building epics arrives 16 years after the first one, but only three after number two, Avatar: The Way of…