mon 11/11/2024

alexandra coghlan

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Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.

Articles By Alexandra Coghlan

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Mirror and the Light, BBC One review - handsome finale f...

“Previously on Wolf Hall…” It’s been nine years since Claire Foy memorably trembled her way to the block as Anne Boleyn,...

Bird review – travails of an unseen English tween

There’s a jolt or a surprise in almost every shot in Andrea Arnold’s Bird – her most impacted and energised depiction of underclass life...

Music Reissues Weekly: The Yardbirds - The Ultimate Live at...

“The last we had was a bit of a flop. I own up about it, it was quite bad.” Speaking to the BBC’s Brian Matthew on 4 April 1967, Yardbirds’...

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s...

It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring...

Mailley-Smith, Piccadilly Sinfonietta, St Mary-le-Strand rev...

Until 2022, the lovely 18th century church of St Mary-le-Strand was a traffic island, ignored and unloved and rarely visited. Then came...

Le Vent du Nord, Cecil Sharp House review - five extraordina...

Among the many things that make the folk community such a warm and welcoming “family” is that you know which side you’re all on, to paraphrase the...

The Tales of Hoffmann, Royal Opera review - three-headed mon...

Having all but sunk one seemingly unassailable opéra comique, Bizet’s Carmen, director Damiano Michieletto...

The Day of the Jackal, Sky Atlantic review - Frederick Forsy...

Fred Zinnemann’s 1973 film The Day of the Jackal was successful thanks to its lean, almost documentary-like treatment of its story of a...