alexandra coghlan
Bio
Alexandra is the classical music critic of the New Statesman, and has written on arts for The Times, The Independent, The Guardian, Prospect, Gramophone, Opera Now, The Oxford Times and The Monthly. She was formerly Performing Arts Editor at Time Out, Sydney. She writes about classical music, theatre and film for theartsdesk.
Articles By Alexandra Coghlan
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Gold, Series 2, BBC One review - back on the trail of th...
The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-...
Così Fan Tutte, Nevill Holt Festival/Opera North review – re...
Marianne Moore once famously defined poems as “imaginary gardens with real toads in them”. Operas also fill, or anyway should fill, their...
Music Reissues Weekly: Gather In The Mushrooms
“Forest and the Shore” by Keith Christmas is remarkable. In his essay for Gather In The Mushrooms, compiler, author and Saint Etienne...
Big Star: The Nick Skelton Story review - the ways of a man...
If you’re horse mad or merely an every-four-years Olympic fan, you already know Nick Skelton’s story. Equestrianism can favour mature competitors...
Müller-Schott , RSNO, Søndergård, Usher Hall, Edinburgh - sp...
There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the 50th anniversary of...
Hamad Butt: Apprehensions, Whitechapel Gallery review - cool...
Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they...
